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Even though this tale has been adapted to the stage, the playwright never dictated the ending. Instead, many possible endings were written, and the audience votes on who they think the murderer is. Carr says that regardless of whom the audience picks as the criminal, the show is sure to have an exciting ending.<\/p>\n
\u201cWe did a rehearsal in which each of the seven murderers was chosen, so each one of them got to try their thing,\u201d he says. \u201cI was anticipating chaos, but they were all equally brilliant.\u201d<\/p>\n
But the voting doesn\u2019t stop there; the audience also chooses who the lovers will be. Carr says that there are vast age differences among the actors, so the show could end up with a pretty scandalous couple.<\/p>\n
\u201cWe have one man who is in his seventies and we have one young lady who is probably about early twenties, or we have the reciprocal, we have an older woman and a younger man,\u201d says Carr, adding that there is a brother\/sister duo as well.<\/p>\n
This show is a perfect example of how wild and unexpected theatre can be. So what about the man directing it? Does he spend his own time doing wild and crazy things, too?<\/p>\n
Well, in fact, Carr says it\u2019s quite the opposite.<\/p>\n
After a long career of teaching, Carr enjoys his relaxation with a bit of theatre on the side. Even though he directs large shows like The Mystery of Edwin Drood<\/i>, he also enjoys the serenity that he found in retired life.<\/p>\n
\u201cI retired from teaching four years ago, and now I do my very best not to be too busy,\u201d he explains. \u201cI went to university, studied theatre, and I taught theatre for 33 years and lived happily ever after.\u201d<\/p>\n
Even though Carr is living a \u201chappily ever after\u201d scenario, the same can\u2019t be said for the play. How can it when its fate lies with the audience?<\/p>\n