{"id":12491,"date":"2016-09-21T09:00:36","date_gmt":"2016-09-21T16:00:36","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=12491"},"modified":"2016-09-19T13:27:02","modified_gmt":"2016-09-19T20:27:02","slug":"to-see-or-not-to-see-fantastic-mr-fox-fundamental-fall-film","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2016\/09\/21\/to-see-or-not-to-see-fantastic-mr-fox-fundamental-fall-film\/","title":{"rendered":"To See or Not to See<\/em>: Fantastic Mr. Fox<\/em> fundamental fall film"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Fantastic Mr. Fox <\/i>(2009)
\n4.5\/5<\/p>\n

Fall is upon us, and while we wait for the tail-end summer movie dregs to drain out of the theatres, we turn to a film that is surely the embodiment of fall, a film that has the warmth of a home and the beauty of the pastel-autumn landscape: Fantastic Mr. Fox<\/i> (2009).<\/p>\n

Directed by Wes Anderson, the master of aesthetic, the first thing the viewer notices about the film is its colour pallet: worn reds, baked yellows, and burnt oranges shrouding the story and bringing Roald Dahl\u2019s novel to life. Fall has never looked so good.<\/p>\n

Dahl\u2019s importance to the film cannot be overstated, for without it the Wes Anderson-ness may have taken over and suffocated the story in cutesy orchestration. There are times when I would have liked the dialogue to be a tad more biting, or the perils a bit more sinister\u2014instead I was often more concerned with the characters\u2019 existential crises than by the fox-blood-hungry farmers (which isn\u2019t necessarily a bad thing, just a peculiar one). Dahl\u2019s story keeps the narrative sharp the whole way through, elevating it past a mere children\u2019s movie into something much more profound.<\/p>\n

Fantastic Mr. Fox<\/i> really and truly <\/i>is a Wes Anderson movie, and, like most of his films, it is impeccable. Working with stop-motion, the medium Anderson was made to work with, Fantastic Mr. Fox<\/i> is one of the rare films in which nearly every shot is perfect. In terms of framing, colour palette, set design, and attention to detail, each frame is like a painting, and is a work of art.<\/p>\n

Fantastic Mr. Fox<\/i> has an aching, tired way about it\u2014like the leaves that fall from trees\u2014that gives the story another layer of emotion. It\u2019s not just a caper movie, or a heist movie, or a family drama, or a coming-of-age tale; it\u2019s all of these things, and therefore much more varied and interesting.<\/p>\n

But it\u2019s not frenzied like other Anderson films, and it never loses sight of where it\u2019s going. George Clooney and Meryl Streep have two of the best voices in the business, and they give beautiful and poignant life to their characters, while also keeping the film grounded, and, in the end, human.<\/p>\n

This is such a wonderful film for a time of year that comes in with inevitable melancholy. Plants hibernate, temperatures cool, and rains saturate the land; we humans begin retreating to the warm indoors and start to hunker down for the long haul. Fantastic Mr. Fox<\/i> captures the melancholy of this great autumn slow-down and delivers it to you with a poignancy, humour, and beauty that makes it all worthwhile in the end.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fantastic Mr. Fox (2009) 4.5\/5 Fall is upon us, and while we wait for the tail-end summer movie dregs to drain out of the theatres, we turn to a film that is surely the embodiment of fall, a film that has the warmth of a home and the beauty of the pastel-autumn landscape: Fantastic Mr. […]<\/p>\n","protected":false},"author":2,"featured_media":12492,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[5,171],"tags":[],"class_list":["post-12491","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-columns","category-september-21-2016"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/12491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=12491"}],"version-history":[{"count":1,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/12491\/revisions"}],"predecessor-version":[{"id":12493,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/12491\/revisions\/12493"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/12492"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=12491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=12491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=12491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}