{"id":13677,"date":"2017-03-12T13:18:36","date_gmt":"2017-03-12T20:18:36","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=13677"},"modified":"2017-03-12T13:58:46","modified_gmt":"2017-03-12T20:58:46","slug":"blind-portrait-impresses-with-complex-storytelling","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2017\/03\/12\/blind-portrait-impresses-with-complex-storytelling\/","title":{"rendered":"<em>Blind Portrait<\/em> impresses with complex storytelling"},"content":{"rendered":"<p>In Intrepid Theatre, which is so tiny and intimate that the audience feels like part of the action, three women occupy a room, sometimes at once and other times alone. The play is <i>Blind Portrait<\/i>, featuring three women, and three thirds of a single mind tangled up in an inner conflict with herself. These three different personas struggle for control of the character&#8217;s mind, as she questions herself and the world around her.<\/p>\n<figure id=\"attachment_13598\" aria-describedby=\"caption-attachment-13598\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2017\/02\/DSC_0393.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2017\/02\/DSC_0393-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" class=\"size-medium wp-image-13598\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2017\/02\/DSC_0393-300x200.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2017\/02\/DSC_0393.jpg 700w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2017\/02\/DSC_0393-180x120.jpg 180w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-13598\" class=\"wp-caption-text\"><em>Blind Portrait<\/em> director Karin Saari says that the play can mean a lot of different things to different people (photo by Jill Westby\/<em>Nexus<\/em>).<\/figcaption><\/figure>\n<p>The play\u2014which I saw on Friday, March 10, its last night\u2014features a wonderfully woven set of interactions between the woman&#8217;s different personas. One of them, for example, frets with anxiety and introspection, while the other, bold and candid, is unafraid to express herself openly.<\/p>\n<p>Plagued by eerie spiders and other vivid hallucinations, the performance features a soundtrack embedded with rain and thunder; as a result, an air of melancholy hangs in the theatre as the actors deliver an impressive, heart-throbbing performance. A confining wall of rain is the cage that encloses them, with a ghoulish flaming staircase standing between them and possible salvation.<\/p>\n<p>For the most part, the performance is exceptional; however, the tight space in the venue is sort of a double-edged sword. It draws the audience closer in to the world being presented on stage, but at the same time it may induce a feeling of claustrophobia for some audience members. Regardless, the small chamber serves its purpose of immersing the audience in the atmosphere of the show.<\/p>\n<p>The writing is poetic, the performances are passionate, and the concept is unique; this is an all-around enjoyable experience. Although sprinkled with bits of charming humour, the best way to describe <i>Blind Portrait<\/i> is to call it a psychological thriller, a complex tale of inner struggles, despair, and triumph.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Intrepid Theatre, which is so tiny and intimate that the audience feels like part of the action, three women occupy a room, sometimes at once and other times alone. The play is Blind Portrait, featuring three women, and three thirds of a single mind tangled up in an inner conflict with herself. These three [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":13598,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-13677","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-webexclusive"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/13677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=13677"}],"version-history":[{"count":5,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/13677\/revisions"}],"predecessor-version":[{"id":13688,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/13677\/revisions\/13688"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/13598"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=13677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=13677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=13677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}