{"id":13849,"date":"2017-03-29T09:00:14","date_gmt":"2017-03-29T16:00:14","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=13849"},"modified":"2017-03-27T14:10:44","modified_gmt":"2017-03-27T21:10:44","slug":"play-examines-true-story-of-gay-rights-in-19th-century-victoria","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2017\/03\/29\/play-examines-true-story-of-gay-rights-in-19th-century-victoria\/","title":{"rendered":"Play examines true story of gay rights in 19th-century Victoria"},"content":{"rendered":"<p>University of Victoria professor Jennifer Wise has long held a passion for site-specific dramatic performances based on little-known histories of Victoria. Having cut her teeth on her original production, <i>The Girl Rabbi of the Golden West<\/i>,<i> <\/i>Wise is now working with director Matthew Payne and students of the UVic theatre program on <i>A Queer Trial<\/i>,<i> <\/i>the recently uncovered story of John Butt, a gay man who stood trial in Bastion Square in 1860 on charges of sodomy. In particular, Wise, who wrote the play, was fascinated by the fact that an openly gay man managed to escape conviction under jury in the mid-19th century.<\/p>\n<p>\u201cThat was the big riddle, wasn\u2019t it?\u201d says Wise. \u201cThirty years after the story of John Butt, Oscar Wilde was condemned to hard labour in jail for the same crimes. So how was it possible that this off-the-beaten-path, nowhere city, off in the Pacific Ocean, in the wild west of Vancouver Island, was 30 years more progressive than cosmopolitan London? And yet, in this little town, this little unknown town called Victoria, the citizens were progressive and tolerant and humane and compassionate enough to let this guy off.\u201d<\/p>\n<figure id=\"attachment_13850\" aria-describedby=\"caption-attachment-13850\" style=\"width: 205px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2017\/03\/Jennifer-Office-Pix.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13850\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2017\/03\/Jennifer-Office-Pix-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2017\/03\/Jennifer-Office-Pix-205x300.jpg 205w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2017\/03\/Jennifer-Office-Pix.jpg 478w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2017\/03\/Jennifer-Office-Pix-300x439.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2017\/03\/Jennifer-Office-Pix-180x264.jpg 180w\" sizes=\"auto, (max-width: 205px) 100vw, 205px\" \/><\/a><figcaption id=\"caption-attachment-13850\" class=\"wp-caption-text\"><em>A Queer Trial<\/em> writer and UVic professor Jennifer Wise (photo provided).<\/figcaption><\/figure>\n<p>Wise says that what makes Butt\u2019s tale all the more astounding is the fact that he was very open about his sexual life and tastes with the rest of the community, despite the explicit anti-homosexual laws that remained widely enforced.<\/p>\n<p>\u201cHe made no secret of it,\u201d Wise says. \u201cHe went into butcher shops in downtown Victoria and openly propositioned men by saying, \u2018Hey,\u2019 you know, \u2018I\u2019d like to have you in bed with me.\u2019\u201d<\/p>\n<p>Wise felt that the expression of the story in musical form was important due to the role that music played in the period the performance is set in.<\/p>\n<p>\u201cIn 1860, there wasn\u2019t even a phonograph,\u201d she says. \u201cThere was no recording at all. There was no recorded music in existence. If you wanted music, you had to make it yourself. So to convey the feeling of Victoria in that period, I think music is pretty important. But also, thematically, I wanted to celebrate John Butt. And how do you best celebrate someone\u2019s life? You sing about it.\u201d<\/p>\n<p>Wise says that she also discovered in researching John Butt\u2019s life that he was known for his tenor voice and sang in a choir.<\/p>\n<p>\u201cMany of the people who knew him and reminisced and told stories about him\u2014in fact, all of them\u2014remarked on his beautiful singing voice. So, I thought, \u2018How can I do justice to this guy if I don\u2019t have music in the play?\u2019\u201d<\/p>\n<p>Wise paid especially close attention to her portrayal of the normalized bigotry that played a central role in Victorian society of the time, particularly as scores of American immigrants brought with them less tolerant views than many of those found in Victoria.<\/p>\n<p>\u201cSo how do you deal with racism or homophobia? How do you deal with really awful, obnoxious views? I think you have to laugh at them,\u201d says Wise. \u201cThat\u2019s the only way. So I do have some American characters in the play, and some racist and xenophobic and homophobic characters, but we laugh at them. We let them say what they want to say and then we show how absurd and ridiculous those ideas are.\u201d<\/p>\n<p><i>A Queer Trial<br \/>\n<\/i>6 pm, Thursday, April 13 (preview)<br \/>\n2 pm and 4 pm, Friday April 14<br \/>\nFree, Bastion Square<br \/>\n<a href=\"http:\/\/finearts.uvic.ca\/theatre\/50th\/trial\" target=\"_blank\">finearts.uvic.ca\/theatre\/50th\/trial<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>University of Victoria professor Jennifer Wise has long held a passion for site-specific dramatic performances based on little-known histories of Victoria. Having cut her teeth on her original production, The Girl Rabbi of the Golden West, Wise is now working with director Matthew Payne and students of the UVic theatre program on A Queer Trial, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":13850,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,186],"tags":[],"class_list":["post-13849","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-march-29-2017"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/13849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=13849"}],"version-history":[{"count":3,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/13849\/revisions"}],"predecessor-version":[{"id":13861,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/13849\/revisions\/13861"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/13850"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=13849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=13849"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=13849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}