{"id":13910,"date":"2017-04-10T14:38:04","date_gmt":"2017-04-10T21:38:04","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=13910"},"modified":"2017-04-12T09:35:49","modified_gmt":"2017-04-12T16:35:49","slug":"camosun-comic-arts-festival-returns-for-fifth-year","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2017\/04\/10\/camosun-comic-arts-festival-returns-for-fifth-year\/","title":{"rendered":"Camosun Comic Arts Festival returns for fifth year"},"content":{"rendered":"

Students of Camosun’s Comics and Graphic Novels program are getting ready to showcase their work at the fifth annual Camosun Comic Arts Festival. Program co-creator and instructor Ken Steacy (Camosun instructor Joan Steacy, Ken\u2019s wife, is the other co-creator) says the projects on display at the event\u2014running from noon to 5 pm on Saturday, April 15, on the third floor of the Young Building\u2014will be a full-colour, 28-page comic that the students have created from scratch, and there will be copies for sale.<\/p>\n

Steacy himself started in the comic and graphic novel industry in 1974. Since then, he says, the industry has changed dramatically, moving away from its original form of print media to a more convention-, technology-, and people-focused art form and profession. He says this ties in to what the students will be doing at the festival.<\/p>\n

\"\"<\/a>
A sampling of some of the students’ work from this year (photo provided).<\/figcaption><\/figure>\n

\u201cIt gives students an opportunity to experience conventions and tabelling, which is going to be a very important part of their careers going forward,\u201d he says. \u201cWe stress entrepreneurship because the industry has changed over the years, and it\u2019s very important that students understand how to connect with their audience. A lot of that happens online, but a lot of it also happens at conventions, where you\u2019re at your table, you\u2019re selling your comic, and all the swag that you create, prints, posters.\u201d<\/p>\n

Steacy says he has been required by the changing times of the industry to also change the way that he teaches.<\/p>\n

\u201cI\u2019ve been in this for a long time, and I\u2019ve seen dramatic changes, the transition from comics being a disposable pop-culture medium to something collectible, that was fed by the comic shops like Legends and Curious and Yellowjacket,\u201d he says.<\/p>\n

But as public interest in comics grew, so did the desire for films based off of comics, or, as Steacy says, \u201cthe explosion of genre material in film.\u201d Although the various films made billions, Steacy says that didn’t trickle down to the comics industry.<\/p>\n

\u201cPeople are not going to see X-Men<\/em> or Batman<\/em> and saying, \u2018Wow, that used to be a comic book; I\u2019m going to go to a comic shop,’\u201d says Steacy. \u201cI think they\u2019re doing a really poor job of that. Comics are still selling in hundreds of thousands of copies, but when you think of the millions of people that go see the movies, it\u2019s still only a few hundred thousand.\u201d<\/p>\n

The Camosun Comic Arts Festival this year will also feature a number of professionals in the industry, including two \u201cguests of honour\u201d: Johnnie Christmas, who is the artist for Angel Catbird<\/em>, Canadian literary legend Margaret Atwood\u2019s graphic-novel trilogy, and publisher Hope Nicholson, who is the consulting editor for the trilogy. Local artist Renee Nault will also be at the event. Find out more here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Students of Camosun’s Comics and Graphic Novels program are getting ready to showcase their work at the fifth annual Camosun Comic Arts Festival. Program co-creator and instructor Ken Steacy (Camosun instructor Joan Steacy, Ken\u2019s wife, is the other co-creator) says the projects on display at the event\u2014running from noon to 5 pm on Saturday, April […]<\/p>\n","protected":false},"author":2,"featured_media":13912,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-13910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-webexclusive"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/13910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=13910"}],"version-history":[{"count":2,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/13910\/revisions"}],"predecessor-version":[{"id":13913,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/13910\/revisions\/13913"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/13912"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=13910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=13910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=13910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}