{"id":15484,"date":"2018-02-21T09:00:52","date_gmt":"2018-02-21T17:00:52","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=15484"},"modified":"2018-02-19T12:01:20","modified_gmt":"2018-02-19T20:01:20","slug":"camosun-instructor-laurie-elmquist-shows-the-importance-of-letting-go-in-new-book","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2018\/02\/21\/camosun-instructor-laurie-elmquist-shows-the-importance-of-letting-go-in-new-book\/","title":{"rendered":"Camosun instructor Laurie Elmquist shows the importance of letting go in new book"},"content":{"rendered":"<p>Camosun writing instructor Laurie Elmquist\u2019s new book <i>Where\u2019s Burges<\/i>s<i>?<\/i> paints a world that children can relate to and that will take adult readers back many years, suddenly immersed in the world of nine-year-old protagonist Reece. Children\u2019s literature is an underappreciated genre, which is unfortunate when works like this are out there. Elmquist writes with both the psychology of a developing brain and the innocence of youth in mind.<\/p>\n<p><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2018\/02\/Wheres-Burgess-hi-res.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-15485\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2018\/02\/Wheres-Burgess-hi-res-206x300.jpg\" alt=\"\" width=\"206\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2018\/02\/Wheres-Burgess-hi-res-206x300.jpg 206w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2018\/02\/Wheres-Burgess-hi-res.jpg 481w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2018\/02\/Wheres-Burgess-hi-res-300x437.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2018\/02\/Wheres-Burgess-hi-res-180x262.jpg 180w\" sizes=\"auto, (max-width: 206px) 100vw, 206px\" \/><\/a><\/p>\n<p>In the book, Reece has lost his frog, Burgess, and is also coping with his parents\u2019 trial separation. Elmquist tackles some of the hardest situations that can come up in a child\u2019s life: loss, love, and social insecurity, to name a few. She says a lot with relatively few words here, and she does so with a crippling innocence that breaks the reader\u2019s heart. After anyone learns about these topics through the pain they cause, they\u2019re never the same. And that\u2019s okay; it\u2019s supposed to happen. It\u2019s growing up.<\/p>\n<p>The double meanings, similes, and metaphors Elmquist uses are gut-wrenching. <i>Where\u2019s Burges<\/i>s<i>?<\/i> will teach children readers realities of the world, but they are told in such an eloquent Elmquist way that they\u2019ll want more when the book is done.<\/p>\n<p>Amidst the sadness of this book, the family keeps living and loving; the strong connection shown between Reece and his sister is one of cynical kindness, as bonds so often are between siblings.<\/p>\n<p>I was shocked at how incredibly real this story was, and I empathized with Reece as he learned the value and purpose of letting go and moving forward.<\/p>\n<p>The illustrations in the book are excellent and put on the page exactly what was in my mind; they\u2019re also a nice break from the text when young readers might need a breather, which they will, because this book is tough on the heart. But it\u2019s also enduring and memorable. It has the perfect amount of complexity. It is a wonderfully modern story of how connection can combat devastation.<\/p>\n<p>Elmquist is a true children\u2019s writer. She doesn\u2019t just ease children into literature with this book; she eases them the world.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Camosun writing instructor Laurie Elmquist\u2019s new book Where\u2019s Burgess? paints a world that children can relate to and that will take adult readers back many years, suddenly immersed in the world of nine-year-old protagonist Reece. Children\u2019s literature is an underappreciated genre, which is unfortunate when works like this are out there. Elmquist writes with both [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":15485,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,207],"tags":[],"class_list":["post-15484","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-february-21-2018"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/15484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=15484"}],"version-history":[{"count":2,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/15484\/revisions"}],"predecessor-version":[{"id":15487,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/15484\/revisions\/15487"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/15485"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=15484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=15484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=15484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}