{"id":1607,"date":"2011-11-30T12:11:35","date_gmt":"2011-11-30T20:11:35","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=1607"},"modified":"2011-11-30T12:11:35","modified_gmt":"2011-11-30T20:11:35","slug":"book-partners-graham-roumieu-with-douglas-coupland","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2011\/11\/30\/book-partners-graham-roumieu-with-douglas-coupland\/","title":{"rendered":"Book partners Graham Roumieu with Douglas Coupland"},"content":{"rendered":"<p>OTTAWA (CUP) &#8211; It\u2019s a book kids should never read and adults will die to get their hands on.<\/p>\n<figure id=\"attachment_1608\" aria-describedby=\"caption-attachment-1608\" style=\"width: 267px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2011\/11\/052_Coup_9780307360663_art_r1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1608\" title=\"052_Coup_9780307360663_art_r1\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2011\/11\/052_Coup_9780307360663_art_r1-267x300.jpg\" alt=\"\" width=\"267\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2011\/11\/052_Coup_9780307360663_art_r1-267x300.jpg 267w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2011\/11\/052_Coup_9780307360663_art_r1-300x337.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2011\/11\/052_Coup_9780307360663_art_r1-180x202.jpg 180w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2011\/11\/052_Coup_9780307360663_art_r1.jpg 623w\" sizes=\"auto, (max-width: 267px) 100vw, 267px\" \/><\/a><figcaption id=\"caption-attachment-1608\" class=\"wp-caption-text\">One of Graham Roumieu&#39;s illustrations from his new collaborative book with Douglas Coupland (Random House Canada).<\/figcaption><\/figure>\n<p>The new novel <em>Highly Inappropriate Tales for Young People,<\/em> by well-known Canadian authors and artists Douglas Coupland and Graham Roumieu, is more akin to a series of short stories and emulates a child\u2019s picture book, but one with highly inappropriate content.<\/p>\n<p>Coupland\u2019s sarcastic and witty tone of the book is well complemented by Roumieu\u2019s illustrations. The brevity of the short stories may remind readers of comedy sketches similar to <em>Saturday Night Live,<\/em> and readers may find that the quality of work found in the book can be attributed to the relationship between the illustrator and the author.<\/p>\n<p>\u201cI\u2019m not in control of everything, but that\u2019s not to say it\u2019s a bad thing,\u201d says Roumieu. \u201cIt\u2019s wonderful, especially when you\u2019re working with a calibre of writer and a person as fun and interesting as Douglas.\u201d<\/p>\n<p>Coupland sought out Roumieu as his illustrator after receiving one of Roumieu\u2019s<em> Bigfoot<\/em> books from a mutual friend, but this practice is becoming an uncommon one. According to Roumieu, there are hardly any more books being published that revere illustrations just as much as they do the text.<\/p>\n<p>\u201cI think it\u2019s a very classic, or at least it seemed like it was, thing for a long time, and now it seems like a rarer interaction to have a well-known author and reasonably well-known illustrator,\u201d he explains. \u201c<em>Alice in Wonderland<\/em> is a book that\u2019s been around for however many decades, if not a century now, and is still being republished in its original form with the original illustrations, which are seen as integral to the piece of work itself. They are inseparable.\u201d<\/p>\n<p>The BC native still finds pleasure in transforming words into a picture, no matter how difficult this task may be.<\/p>\n<p>\u201cHundreds of times a year I\u2019m producing illustrations for the <em>New York Times,<\/em> <em>the Wall Street Journal,<\/em> <em>the Globe and Mail,<\/em> all these different outlets, and sometimes that can be a struggle to come out with an image that\u2019s suitable,\u201d says Roumieu. \u201cIn this case I drew quickly and physically couldn\u2019t move my hand and move my hand fast. It was the ability to absorb the content, the energy, and what was intended by Douglas and reconvert it into something else.\u201d<\/p>\n<p><em>Highly Inappropriate Tales for Young People<\/em> may be a satire written creatively with flair, but according to Roumieu, getting jokes across through illustration was one of the biggest challenges.<\/p>\n<p>\u201cIt has that pseudo-ironic kid\u2019s book stuff going on and that\u2019s what has to be placed in the mind of people,\u201d says the Toronto-based artist. \u201c[Some of the other difficulties were] using the illustrations to both carry the story forward and draw what is right there in black and white.\u201d<\/p>\n<p>Roumieu explains that he has secondary narrative in his drawings, making his work somewhat non-sequitur at times.<\/p>\n<p>He says it\u2019s \u201coften to the point that if you flip through pages surrounding the illustrations, you [won\u2019t] actually be able to find anything that directly points to whatever I have drawn, but it is simply another element to the story,\u201d adds Roumieu. \u201cIt\u2019s not so much the difficulty, but the challenge is the right balance of that.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>OTTAWA (CUP) &#8211; It\u2019s a book kids should never read and adults will die to get their hands on. The new novel Highly Inappropriate Tales for Young People, by well-known Canadian authors and artists Douglas Coupland and Graham Roumieu, is more akin to a series of short stories and emulates a child\u2019s picture book, but [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1608,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,27],"tags":[],"class_list":["post-1607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-november-30-2011"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/1607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=1607"}],"version-history":[{"count":2,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/1607\/revisions"}],"predecessor-version":[{"id":1610,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/1607\/revisions\/1610"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/1608"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=1607"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=1607"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=1607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}