{"id":17033,"date":"2019-01-29T09:28:06","date_gmt":"2019-01-29T17:28:06","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=17033"},"modified":"2019-01-30T08:55:56","modified_gmt":"2019-01-30T16:55:56","slug":"mother-mother-get-off-to-slow-start-but-end-up-rockin","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2019\/01\/29\/mother-mother-get-off-to-slow-start-but-end-up-rockin\/","title":{"rendered":"Mother Mother get off to slow start but end up rockin\u2019"},"content":{"rendered":"\n<p>It was a Monday night in Victoria and I was walking through the ghostly downtown streets wondering where the heck everybody was. Next thing I knew I was in the Royal Theatre, surrounded by the warmth of friends and families awaiting their island icons, Mother Mother, playing their first of two nights in town.<\/p>\n\n\n\n<p>The lights went down and a spotlight fell on guitarist\/vocalist Ryan Guldemond. They started the show with the opening track of their new album&nbsp;<em>Dance and Cry<\/em>, \u201cI Must Cry Out Loud.\u201d It, honestly, felt slightly anticlimactic and the audience was mostly in their seats. The next song, the title track of&nbsp;<em>Dance and Cry<\/em>, felt a bit premature while the audience was still working up the nerve to stand.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2019\/01\/Mother-Mother-for-web-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"208\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2019\/01\/Mother-Mother-for-web-1-300x208.jpg\" alt=\"\" class=\"wp-image-17034\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2019\/01\/Mother-Mother-for-web-1-300x208.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2019\/01\/Mother-Mother-for-web-1.jpg 700w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2019\/01\/Mother-Mother-for-web-1-180x125.jpg 180w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption>Mother Mother played their first of two shows in Victoria last night (photo provided).<\/figcaption><\/figure><\/div>\n\n\n\n<p>But then \u201cO My Heart\u201d brought people to their feet and picked up the energy of the room. Mother Mother\u2019s set was a healthy mix of classic and new tracks; they\u2019re clearly not afraid to play the hits. The subtle choreography of all members showed how much fun they have when they perform.&nbsp;<\/p>\n\n\n\n<p>Guldemond and his sister, keyboardist\/vocalist Molly, were joined by keyboardist\/vocalist Jasmin Parkin at centre stage to play an ode to their acoustic beginnings with \u201cDirty Town.\u201d They held down a rhythmically complicated song with nothing but acoustic guitar and vocals.&nbsp;<\/p>\n\n\n\n<p>Molly and Parkin wove sweet vocal harmonies throughout the show, in songs like \u201cGet Out the Way.\u201d Molly took the stage to do a spine-tingling rendition of Radiohead\u2019s \u201cCreep,\u201d and Parkin started the band\u2019s three-song encore with power ballad \u201cBiting on a Rose.\u201d<\/p>\n\n\n\n<p>When the house lights came on there was no denying the mutual gratitude between the band and their fans. At first I craved the atmosphere of a dance floor, but by the end I didn\u2019t care. They sounded fucking great.&nbsp;<\/p>\n\n\n\n<p>Mother Mother<br>8 pm Tuesday, January 29<br>$57 and up<br><a href=\"http:\/\/rmts.bc.ca\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"rmts.bc.ca (opens in a new tab)\">rmts.bc.ca<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It was a Monday night in Victoria and I was walking through the ghostly downtown streets wondering where the heck everybody was. Next thing I knew I was in the Royal Theatre, surrounded by the warmth of friends and families awaiting their island icons, Mother Mother, playing their first of two nights in town. The [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":17034,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-17033","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-webexclusive"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/17033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=17033"}],"version-history":[{"count":2,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/17033\/revisions"}],"predecessor-version":[{"id":17036,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/17033\/revisions\/17036"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/17034"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=17033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=17033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=17033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}