{"id":17125,"date":"2019-02-08T09:58:58","date_gmt":"2019-02-08T17:58:58","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=17125"},"modified":"2019-02-11T09:14:43","modified_gmt":"2019-02-11T17:14:43","slug":"victoria-film-fest-review-306-hollywood-a-gorgeous-look-at-big-picture-through-the-everyday","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2019\/02\/08\/victoria-film-fest-review-306-hollywood-a-gorgeous-look-at-big-picture-through-the-everyday\/","title":{"rendered":"Victoria Film Fest review: <em>306 Hollywood<\/em> a gorgeous look at big picture through the everyday"},"content":{"rendered":"\n<p><em>306 Hollywood<\/em>makes it clear that it is neither a documentary about a famous person, nor one about anything even all that remarkable. In fact, the film revels in its everyday mundanity, for that is where life\u2019s essence lies, and, in this case, where grandma\u2019s heart still beats.&nbsp;<\/p>\n\n\n\n<p>After death, the soul has 11 months to return to where it was happiest in life before leaving this realm, explains a particularly spiritual funeral director in the film. For many recently deceased, that place is home. This notion prompts sibling filmmakers Elan and Jonathan Bogarin to purchase their beloved grandmother\u2019s home.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2019\/02\/306-hollywood.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2019\/02\/306-hollywood-300x169.jpg\" alt=\"\" class=\"wp-image-17126\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2019\/02\/306-hollywood-300x169.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2019\/02\/306-hollywood.jpg 700w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2019\/02\/306-hollywood-180x101.jpg 180w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption><em>306 Hollywood<\/em> takes a look at the small, but important, things in life (photo provided).<\/figcaption><\/figure><\/div>\n\n\n\n<p>The two conduct a full-on archeological dig, cataloguing everything from the number of pennies in a Band-Aid tin to the perspiration stains on a blouse. This Warholian approach to piecing together an idol risks becoming an invasive mess, but the Bogarins execute it with such tender grace that it\u2019s impossible to not be touched by their efforts.<\/p>\n\n\n\n<p>Often deviating into surreal territory, their grandmother Annette Ontell inhabits this space, oscillating between spirit and archival footage as she guides her dear grandchildren through their grief. \u201cI\u2019m not living in never neverland, I\u2019m living in this land,\u201d she says, and indeed she is. Forever imbedded in the shag carpeting, the cracks in the ceiling, the pink bathroom tiles, everything is her history. When&nbsp;<em>306 Hollywood<\/em>peaks, Ontell has splintered into a flock of beautiful young women as they transform the modest yard into a Tchaikovsky ballet, every relic on full display. It is magic.<\/p>\n\n\n\n<p>\u201cI feel like a clump of cells and nothing more,\u201d Ontell remarks of her degraded body. Where do these cells go when we leave this world? They remain here, hovering around us, waiting to be remembered and reassembled, resurrected.&nbsp;<em>306 Hollywood<\/em>is an absolutely gorgeous film that aims to answer the big questions by examining the smallest objects that make up who we are.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>306 Hollywoodmakes it clear that it is neither a documentary about a famous person, nor one about anything even all that remarkable. In fact, the film revels in its everyday mundanity, for that is where life\u2019s essence lies, and, in this case, where grandma\u2019s heart still beats.&nbsp; After death, the soul has 11 months to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":17126,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-17125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-webexclusive"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/17125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=17125"}],"version-history":[{"count":1,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/17125\/revisions"}],"predecessor-version":[{"id":17127,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/17125\/revisions\/17127"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/17126"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=17125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=17125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=17125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}