{"id":19389,"date":"2020-04-15T11:22:48","date_gmt":"2020-04-15T18:22:48","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=19389"},"modified":"2020-04-15T11:26:43","modified_gmt":"2020-04-15T18:26:43","slug":"dance-performance-about-isolation-even-more-relevant-in-light-of-covid-19","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2020\/04\/15\/dance-performance-about-isolation-even-more-relevant-in-light-of-covid-19\/","title":{"rendered":"Dance performance about isolation even more relevant in light of COVID-19"},"content":{"rendered":"<p><em>Into the WIRE<\/em>\u00a0is a dance performance dealing with themes of social isolation in a technological dystopia. The show\u2014being presented by local non-profit dance studio Broken Rhythms\u2014has been over a year in the making, but due to COVID-19 the studio, fittingly, has had to adapt it for a digital medium. <em>Into the WIRE<\/em>\u00a0artistic director Dyana Sonik-Henderson says she realized the virus might affect the performance the day they started printing posters to promote it.<\/p>\n<p>\u201cSo, I had to mourn the loss of that show and that creation, and also try to tell all the people that worked for the show that the live work was cancelled,\u201d says Sonik-Henderson. \u201cAnd then we kind of had to give birth to a different show.\u201d<\/p>\n<figure id=\"attachment_19390\" aria-describedby=\"caption-attachment-19390\" style=\"width: 200px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2020\/04\/intowirepress.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-19390\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2020\/04\/intowirepress-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2020\/04\/intowirepress-200x300.jpg 200w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2020\/04\/intowirepress-400x600.jpg 400w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2020\/04\/intowirepress.jpg 466w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-19390\" class=\"wp-caption-text\">Broken Rhythms has moved their performance of <i>Into the WIRE<\/i> online (photo provided).<\/figcaption><\/figure>\n<p>Instead of a cast of seven performing live in a theatre, <em>Into the WIRE <\/em>will now be performed live on Facebook entirely by Sonik-Henderson from her condo. She says that the hardest part about the whole experience was telling her cast they wouldn\u2019t be performing.<\/p>\n<p>\u201cEach dancer had their own character arcs, but in this new creation I\u2019m kind of having to develop each character into its own piece,\u201d she says. \u201cSo I\u2019m playing almost each symptom of what this social isolation has brought to me.\u201d<\/p>\n<p>It isn\u2019t only the cast that\u2019s been cut back. The show features entirely original music created by musician Dan Godlovich. Of the 10 songs Godlovich wrote for the performance, only three will be included in the online version.<\/p>\n<p>\u201cI got really interested in this idea of living in this time where we\u2019re doing so much damage to the natural world and gradually replacing it with artificial simulations of it, you know, virtual worlds and so on. And I wanted to explore that through the score,\u201d says Godlovich. \u201cI started writing all these pieces with acoustic instruments and human voice. And so, I wrote all these pieces and then started pulling them apart, making revisions. I would pull them apart and gradually replace all of these natural acoustic real things with digital simulacra of them. I wound up with a score where it\u2019s all these digital emulations of very natural sounds. They sound real enough that you know what they\u2019re supposed to be, but there\u2019s always this uncanny valley where it\u2019s not quite real. So that was my inspiration for the score. As we destroy the natural world, we replace it with something that is this imitation.\u201d<\/p>\n<p>All the artists who were not able to perform will still be receiving payment for their work, but that doesn\u2019t take away from their disappointment over the live performance being cancelled. Even so, Sonik-Henderson is satisfied with the final product and is excited to see what kind of reactions the show will bring.<\/p>\n<p>\u201cI like that it kinda worked out for this show, because I think it works in this medium versus some of the other shows [that] would not,\u201d she says. \u201cAnd I\u2019m proud of all of us at Broken Rhythms that were able to be like, okay, new plan, lets do it.\u201d<\/p>\n<p><em>Into the WIRE<br \/>\n<\/em>8pm Friday, April 17<br \/>\nFree, but donations accepted<br \/>\n<a href=\"https:\/\/brokenrhythmsvictoria.com\/into-the-wire-online\" target=\"_blank\" rel=\"noopener noreferrer\">brokenrhythmsvictoria.com\/into-the-wire-online<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Into the WIRE\u00a0is a dance performance dealing with themes of social isolation in a technological dystopia. The show\u2014being presented by local non-profit dance studio Broken Rhythms\u2014has been over a year in the making, but due to COVID-19 the studio, fittingly, has had to adapt it for a digital medium. Into the WIRE\u00a0artistic director Dyana Sonik-Henderson [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":19390,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,9],"tags":[],"class_list":["post-19389","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-webexclusive"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/19389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=19389"}],"version-history":[{"count":2,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/19389\/revisions"}],"predecessor-version":[{"id":19392,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/19389\/revisions\/19392"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/19390"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=19389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=19389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=19389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}