{"id":20114,"date":"2020-10-27T09:00:11","date_gmt":"2020-10-27T16:00:11","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=20114"},"modified":"2020-10-27T09:14:00","modified_gmt":"2020-10-27T16:14:00","slug":"land-back-exhibit-inspired-by-indigenous-activism","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2020\/10\/27\/land-back-exhibit-inspired-by-indigenous-activism\/","title":{"rendered":"<em>LAND BACK<\/em> exhibit inspired by Indigenous activism"},"content":{"rendered":"<p>Indigenous activism served as the spark for Open Space\u2019s newest exhibition, <em>LAND BACK<\/em>.<\/p>\n<p>Open Space Indigenous curator Eli Hirtle was particularly moved by the activism that led to occupations and blockades across the province\u2014and, indeed, the country\u2014in solidarity with the Wet\u2019suwet\u2019en resistance to the Coast GasLink pipeline. Hirtle had the opportunity to visit the Unist\u2019ot\u2019en resistance camp in 2013.<\/p>\n<p>\u201cIt was one of those experiences\u2014doing the Free Prior and Informed Consent protocol while crossing the bridge, that really had a deep impact on me and my life,\u201d says Hirtle, \u201cand so those are the roots of this exhibition, for myself and my own political activism.\u201d<\/p>\n<figure id=\"attachment_20115\" aria-describedby=\"caption-attachment-20115\" style=\"width: 168px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2020\/10\/Landback-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-20115\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2020\/10\/Landback-1-168x300.jpg\" alt=\"\" width=\"168\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2020\/10\/Landback-1-168x300.jpg 168w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2020\/10\/Landback-1.jpg 393w\" sizes=\"auto, (max-width: 168px) 100vw, 168px\" \/><\/a><figcaption id=\"caption-attachment-20115\" class=\"wp-caption-text\">&#8220;Beam Me Up, Asdz\u0105\u0301\u0105\u0301 Anil\u00ed&#8221; by Nicole Neidhardt is part of <em>LAND BACK<\/em> (photo by Eli Hirtle).<\/figcaption><\/figure>\n<p>The pandemic hit shortly after Hirtle had the idea for this exhibit; throughout the spring and summer, Open Space experimented with different ways to engage with their community, including a colouring book and streaming series (both available on Open Space\u2019s website). In line with this new way of showing art in a world still grappling with COVID-19, Hirtle decided to stagger the installation of each piece over a period of six weeks.<\/p>\n<p>\u201cI started to gravitate toward this idea of things kind of unfolding and gradually taking shape over a period of time,\u201d he says, \u201cwhich would make things safer for everybody, but it would also replicate\u2026 the energy that I have felt at occupations and blockades\u2026 where it\u2019s never static, there\u2019s always an ebb and flow of bodies [and] energy and resources, usually in response to corporate or police or military action.\u201d<\/p>\n<p>This, Hirtle hopes, will allow for each piece in <em>LAND BACK<\/em> to be spotlighted individually, while also presenting the works as dynamic with each new installation. In choosing artists to feature in the exhibit, Hirtle wanted to highlight those who were affected by and participated in activist efforts.<\/p>\n<p>\u201cHaving this kind of position at Open Space, and the access to the resources that come with that, I really wanted to work with artists that I knew were out at blockades and were supporting these actions and who were really affected by what was happening on the ground,\u201d says Hirtle.<\/p>\n<p>The first work installed was by Din\u00e9 artist Nicole Neidhardt, who opened the showcase with a hand-cut mirror mylar \u201ctransporter.\u201d<\/p>\n<p>\u201c[The piece has] stencils cut out of the mirror mylar and there is a dramatic, intentional use of light in the space [that] casts off shadows of the templates around the piece, the wall and the floor,\u201d says Hirtle. \u201cIt\u2019s been really incredible to see people step inside of it, to experience it in a tangible way.\u201d<\/p>\n<p>While the name <em>LAND BACK<\/em> has been almost sloganized, Hirtle also recognized the words as a \u201crallying cry.\u201d<\/p>\n<p>\u201cIt is an open door for people\u2026 [including] Indigenous folks, settlers\u2026 BIPOC\u2026 immigrants and refugees to think about the lands that they\u2019re on and their relationships and responsibilities to that land, to the ancestors of that land and to the stewards of that land.\u201d<\/p>\n<p><em>LAND BACK<br \/>\n<\/em>Until Saturday, January 16<br \/>\nOpen Space<br \/>\n<a href=\"http:\/\/www.openspace.ca\" target=\"_blank\" rel=\"noopener noreferrer\">openspace.ca<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Indigenous activism served as the spark for Open Space\u2019s newest exhibition, LAND BACK. Open Space Indigenous curator Eli Hirtle was particularly moved by the activism that led to occupations and blockades across the province\u2014and, indeed, the country\u2014in solidarity with the Wet\u2019suwet\u2019en resistance to the Coast GasLink pipeline. Hirtle had the opportunity to visit the Unist\u2019ot\u2019en [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":20115,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,9],"tags":[],"class_list":["post-20114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-webexclusive"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/20114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=20114"}],"version-history":[{"count":3,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/20114\/revisions"}],"predecessor-version":[{"id":20120,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/20114\/revisions\/20120"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/20115"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=20114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=20114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=20114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}