{"id":20554,"date":"2021-02-05T09:00:23","date_gmt":"2021-02-05T17:00:23","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=20554"},"modified":"2021-02-04T10:27:10","modified_gmt":"2021-02-04T18:27:10","slug":"victoria-film-festival-2021-review-ihuman","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2021\/02\/05\/victoria-film-festival-2021-review-ihuman\/","title":{"rendered":"Victoria Film Festival 2021 review: <em>iHuman<\/em>"},"content":{"rendered":"<p>Have you ever asked yourself what will happen if a robot controlled every aspect of your everyday life? Or if one day, instead of being policed by actual humans, you might have a robot pull you over? Norwegian director Tonje Hessen Schei answers these futuristic questions with their highly informative documentary <em>iHuman<\/em>, screening at this year&#8217;s Victoria Film Festival.<\/p>\n<figure id=\"attachment_20558\" aria-describedby=\"caption-attachment-20558\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2021\/02\/ihumanmainphoto.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-20558\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2021\/02\/ihumanmainphoto-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2021\/02\/ihumanmainphoto-300x225.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2021\/02\/ihumanmainphoto-272x204.jpg 272w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2021\/02\/ihumanmainphoto.jpg 700w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-20558\" class=\"wp-caption-text\">iHuman is screening at this year&#8217;s Victoria Film Festival (photo provided).<\/figcaption><\/figure>\n<p>We are, arguably, entering a time where filmmakers will have to focus on making movies that convey impactful, substantial messages rather than bombard us with stylistic overtures found in movies such as those in, say, the <em>Transformers<\/em> franchise. What <em>iHuman<\/em> does so well is tell an intelligent story about both the good side and the bad side of today&#8217;s\u2014and our future\u2019s\u2014artificial intelligence machinery while exploring the role this technology is going to play in our future.<\/p>\n<p>One of the many areas where the movie shines is its filmmaking. Throughout the documentary, numerous faces known throughout the tech world show up and give us a look into what, in their scientific opinion, AI is today and what it may be capable of in the near future. Schei\u2019s filmmaking style is very inventive when it comes to finding ways of conveying <em>iHuman<\/em>\u2019s very fascinating themes to its viewers\u2014this keeps the audience entertained throughout.<\/p>\n<p><em>iHuman<\/em> is a well-crafted film that expertly depicts its important themes of where artificial intelligence is taking us, and also all of the good, the bad, and the ugly places it could lead our society to.<\/p>\n<p>Victoria Film Festival<br \/>\nVarious times, February 5 to 14<br \/>\nVarious prices<br \/>\n<a href=\"http:\/\/www.victoriafilmfestival.com\" target=\"_blank\" rel=\"noopener\">victoriafilmfestival.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Have you ever asked yourself what will happen if a robot controlled every aspect of your everyday life? Or if one day, instead of being policed by actual humans, you might have a robot pull you over? Norwegian director Tonje Hessen Schei answers these futuristic questions with their highly informative documentary iHuman, screening at this [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":20558,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,9],"tags":[],"class_list":["post-20554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-webexclusive"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/20554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=20554"}],"version-history":[{"count":4,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/20554\/revisions"}],"predecessor-version":[{"id":20564,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/20554\/revisions\/20564"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/20558"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=20554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=20554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=20554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}