{"id":20649,"date":"2021-02-22T09:01:05","date_gmt":"2021-02-22T17:01:05","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=20649"},"modified":"2021-02-25T12:03:53","modified_gmt":"2021-02-25T20:03:53","slug":"the-earth-is-my-elder-offers-immersive-experience-at-open-space","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2021\/02\/22\/the-earth-is-my-elder-offers-immersive-experience-at-open-space\/","title":{"rendered":"<em>The Earth Is My Elder<\/em> offers immersive experience at Open Space"},"content":{"rendered":"<p><em>The Earth Is My Elder<\/em>, running now at Open Space, starts before you even enter the gallery. The poetry of artist Krista Arias is stencilled in neon pink on the pillars out front of the gallery, her voice carrying from speakers over the din of the street, and the second-story windows full with the vibrant colours of her films.<\/p>\n<p>\u201cI feel like [because of COVID-19] a lot of people still don\u2019t feel comfortable going into spaces for very long, or going into a gallery space,\u201d says curator Toby Lawrence. \u201cSo by bringing some elements outside, even though they\u2019re very different in their format and different in the way that you would experience them, it still allows for the engaged space to exist outside of the gallery.\u201d<\/p>\n<figure id=\"attachment_20650\" aria-describedby=\"caption-attachment-20650\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2021\/02\/krista_-_eating_our_ancestors.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-20650\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2021\/02\/krista_-_eating_our_ancestors-300x170.png\" alt=\"\" width=\"300\" height=\"170\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2021\/02\/krista_-_eating_our_ancestors-300x170.png 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2021\/02\/krista_-_eating_our_ancestors.png 700w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-20650\" class=\"wp-caption-text\">Krista Arias&#8217; <em>Eating Our Ancestors<\/em> is part of her <em>The Earth Is My Elder<\/em> exhibit, on now at Open Space (photo by Krista Arias).<\/figcaption><\/figure>\n<p>Arias&#8217; video poetry is both enveloping and arresting; the films are projected in intervals on the expansive walls of the gallery, chairs set before each and the lighting low. The warm colours featured so prominently in Arias&#8217; work are echoed elsewhere\u2014the pink for the exterior poetry is pulled from the rose petals in &#8220;Xochiquetzal\u2019s Bed&#8221; and the vivid title wall draws inspiration from the cempas\u00fachil flowers featured in <em>Eating Our Ancestors<\/em>.<\/p>\n<p>\u201cWhat I\u2019m trying to do is highlight the works themselves by supporting them with colourations that occur within those works, and that sort of fits within the philosophy of the work Krista is doing,\u201d says Lawrence. \u201cSo her and I spent a long time talking about colour, about the colour for the title wall, about the colour for the exterior painting.\u201d<\/p>\n<p>Arias lives in New Mexico; due to COVID-19 restrictions and guidelines, she was unable to come up to set up the show, so Lawrence worked closely with her to design the space how she would want this body of work presented.<\/p>\n<p>\u201cThe idea was to have it be a warm, immersive space with low light, a space that\u2019s calming,\u201d says Lawrence. \u201cThe spacing between the video poems is intentional, so there\u2019s space for folks to reflect or recompose themselves or gather their thoughts before the next video poem begins.\u201d<\/p>\n<p>A small flicker guides gallery-goers to the next presentation, which explore the complexities of reconnection, of decolonization, and of relation.<\/p>\n<p>\u201cThere\u2019s so much depth in Krista\u2019s work and it really is working through these interconnected ideas of identity and trauma and motherhood and the theoretical investigations that she\u2019s been engaged in, throughout her research but also throughout her life,\u201d says Lawrence. \u201cFor Krista, essentially, her work is ceremony and those elements\u2014like art and ceremony and life\u2014are not necessarily separate.\u201d<\/p>\n<p>Arias&#8217; work is rooted in concepts like food sovereignty, earth-based medicines, and a reconnection to one\u2019s ancestors<\/p>\n<p>\u201cHer and her family have a farm in New Mexico and they very much live a life that is focused around food sustainability and food security and providing a space for healing and working through each person\u2019s ancestral relationships,\u201d says Lawrence. \u201cAll of those elements that operate in her life are very much influencing this work, and I think it\u2019s both a deeply personal and deeply significant body of work that I\u2019m so excited to be able to bring to the Victoria arts community though my relationship to her, and to be able to bring into the broader discourse of contemporary art.\u201d<\/p>\n<p><em>The Earth is My Elder<\/em><br \/>\nUntil Saturday, May 29<br \/>\nFree, Open Space<br \/>\n<a href=\"http:\/\/www.openspace.ca\" target=\"_blank\" rel=\"noopener\">openspace.ca<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Earth Is My Elder, running now at Open Space, starts before you even enter the gallery. The poetry of artist Krista Arias is stencilled in neon pink on the pillars out front of the gallery, her voice carrying from speakers over the din of the street, and the second-story windows full with the vibrant [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":20650,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,9],"tags":[],"class_list":["post-20649","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-webexclusive"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/20649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=20649"}],"version-history":[{"count":3,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/20649\/revisions"}],"predecessor-version":[{"id":20681,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/20649\/revisions\/20681"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/20650"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=20649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=20649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=20649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}