{"id":26999,"date":"2025-06-06T09:00:16","date_gmt":"2025-06-06T16:00:16","guid":{"rendered":"https:\/\/www.nexusnewspaper.com\/newsite\/?p=26999"},"modified":"2025-06-02T11:29:51","modified_gmt":"2025-06-02T18:29:51","slug":"new-music-revue-bludgeoned-by-deformitys-debut-ep-offers-voice-for-rage","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2025\/06\/06\/new-music-revue-bludgeoned-by-deformitys-debut-ep-offers-voice-for-rage\/","title":{"rendered":"<em>New Music Revue<\/em>: Bludgeoned by Deformity&#8217;s debut EP offers voice for rage"},"content":{"rendered":"<p><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/06\/a0455952309_10.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-27000\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/06\/a0455952309_10-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/06\/a0455952309_10-300x300.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/06\/a0455952309_10-700x700.jpg 700w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/06\/a0455952309_10-150x150.jpg 150w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/06\/a0455952309_10-768x768.jpg 768w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/06\/a0455952309_10.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Bludgeoned by Deformity<br \/>\n<i>Epoch of Immortality<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/i>(Iron Fortress Records)<br \/>\n4\/5<\/p>\n<p>I listen to Nina Simone when I choose to listen to music. I put on Joni Mitchell or Billie Holiday or The Beach Boys. But, in a dire circumstance, when it has been assigned to me, I listen to the abrasive call of death metal\u2014here I consider the \u201cmerciless\u201d debut EP from eastern-USA-based band Bludgeoned by Deformity, <i>Epoch of Immortality<\/i>. It has five tracks\u2014each with a volume just as excessive as the last. This is appropriate; the group is roaring with an impassioned rage. (Or an enthusiasm for the very notion of rage?)<\/p>\n<p>Without much thought, as naive as it was, I listened with dinky wired headphones, which ultimately behaved more as a speaker out of my own ears. This is also appropriate, as I was coerced into an effervescent emotional mixture of angst and disgust and an invisible smoke was blowing out all orifices. This behaviour is intentional; I am not to worry. In fact, it is thrilling to be so dramatic in this way. The feeling is powerful, tempts you into a grotesque moment of social abandonment. I was welcomed into this noise and entered with caution, but the first song is playful, thankfully, careful to not immediately estrange me. Soon after its drums succeed in dizzying my delicate disposition, I am humoured with the voice of a duplicitous televangelist praising the name of Jesus and frauding his trusting audience. Yes, this figure is a man of God, he claims, but there is something more holy to this musical crucifixion.<\/p>\n<p>Each track\u2014\u201cInvocation of Suffering,\u201d \u201cImmortality,\u201d \u201cIntestinal Suspension,\u201d \u201cFalse Deliverance,\u201d \u201cExtirpated Human Existence\u201d\u2014is sincere. They have a fixed position (although I\u2019m not entirely certain of the exact wording) and are gutsy to indulge themselves within this. Bludgeoned by Deformity\u2019s immodest ability to carry over their vehemence into their respective sounds in their debut EP is acutely clear. We will be your voice, they yell. This is their promise to those of us frustrated individuals with short tempers.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bludgeoned by Deformity Epoch of Immortality (Iron Fortress Records) 4\/5 I listen to Nina Simone when I choose to listen to music. I put on Joni Mitchell or Billie Holiday or The Beach Boys. But, in a dire circumstance, when it has been assigned to me, I listen to the abrasive call of death metal\u2014here [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":27000,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,333],"tags":[],"class_list":["post-26999","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-june-4-2025"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/26999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=26999"}],"version-history":[{"count":1,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/26999\/revisions"}],"predecessor-version":[{"id":27001,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/26999\/revisions\/27001"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/27000"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=26999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=26999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=26999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}