{"id":27418,"date":"2025-10-29T13:24:51","date_gmt":"2025-10-29T20:24:51","guid":{"rendered":"https:\/\/www.nexusnewspaper.com\/newsite\/?p=27418"},"modified":"2025-10-29T13:24:51","modified_gmt":"2025-10-29T20:24:51","slug":"new-music-revue-cemetery-moon-deliver-solid-black-metal-with-dominion-of-ashes","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2025\/10\/29\/new-music-revue-cemetery-moon-deliver-solid-black-metal-with-dominion-of-ashes\/","title":{"rendered":"<em>New Music Revue<\/em>: Cemetery Moon deliver solid black metal with <em>Dominion of Ashes<\/em>"},"content":{"rendered":"<p><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/10\/469175.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-27419\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/10\/469175-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/10\/469175-300x300.png 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/10\/469175-700x700.png 700w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/10\/469175-150x150.png 150w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/10\/469175-768x769.png 768w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/10\/469175-1534x1536.png 1534w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/10\/469175.png 1598w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Cemetery Moon<br \/>\n<i>Dominion of Ashes<br \/>\n<\/i>(Wulfhere Productions)<br \/>\n4\/5<\/p>\n<p>Connecticut black metal is alive and well.<\/p>\n<p>Initially a solo project launched in 2015 that turned into a full band in 2023, Cemetery Moon\u2019s second full-length album, <i>Dominion of Ashes<\/i>, exceeds my expectations.<\/p>\n<p>The album fits into the black-metal glove perfectly, with deadly guitar progressions, powerful bass lines, and haunting vocals. It runs the listener through a gauntlet of darkness.<\/p>\n<p>Right off the rip, drummer Usurper\u2019s speed, fills, and presence on the kit is substantial and draws you in like a black hole. Oftentimes I\u2019ve found that guitars and vocals carry a black metal album; in this case, I think Usurper has earned some serious praise.<\/p>\n<p>Both Apparition and Langeloth shred on their guitars and lay down fast, heavy riffs throughout the album. I particularly enjoyed some of the more melodic sections, like in the interlude \u201cThe Sorting of Souls,\u201d which further hints at the scope of this band\u2019s capabilities.<\/p>\n<p>Apparition\u2019s vocals fit the tropes of black metal to a T. Unfortunately, I kept waiting for something to surprise me, which never happened. I would love to see him try to find a little bit more variety in his cadence and flow.<\/p>\n<p>Overall, this album is solid. The musicians are consciously making a stylistic choice to play within the constraints of the genre and are absolutely killing it.<\/p>\n<p>The reason it\u2019s only a four out of five is that I think they could push the envelope. They are clearly capable of a more unique sound that doesn\u2019t need to stray far from the path they\u2019ve chosen. The tone is super consistent throughout and I feel that people who enjoy black metal should definitely check it out. If they wanted to find that ever-elusive five out of five, I would love to see them vary their writing process to push black metal somewhere a little more risky.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cemetery Moon Dominion of Ashes (Wulfhere Productions) 4\/5 Connecticut black metal is alive and well. Initially a solo project launched in 2015 that turned into a full band in 2023, Cemetery Moon\u2019s second full-length album, Dominion of Ashes, exceeds my expectations. The album fits into the black-metal glove perfectly, with deadly guitar progressions, powerful bass [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":27419,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,341],"tags":[],"class_list":["post-27418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-october-29-2025"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/27418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=27418"}],"version-history":[{"count":1,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/27418\/revisions"}],"predecessor-version":[{"id":27420,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/27418\/revisions\/27420"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/27419"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=27418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=27418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=27418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}