{"id":27612,"date":"2025-12-08T12:26:45","date_gmt":"2025-12-08T20:26:45","guid":{"rendered":"https:\/\/www.nexusnewspaper.com\/newsite\/?p=27612"},"modified":"2025-12-09T15:27:39","modified_gmt":"2025-12-09T23:27:39","slug":"little-dickens-a-christmas-miracle-with-strings-attached","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2025\/12\/08\/little-dickens-a-christmas-miracle-with-strings-attached\/","title":{"rendered":"<em>Little Dickens<\/em> a Christmas miracle, with strings attached"},"content":{"rendered":"<p>I had no idea what I was in for when I set out to review The Belfry\u2019s newest show. I knew that <em>Little Dickens<\/em>\u2014which runs until December 21\u2014was a loose adaptation of Charles Dickens&#8217; beloved classic <em>A Christmas Carol<\/em>; however, I had no idea what was meant by <em>adaptation<\/em>, or <em>loose<\/em>, for that matter. After reading a bit harder between the lines, I realized that the star of <em>Little Dickens<\/em>, Ronnie Burkett, is not just the performer, but the creator of the whole operation, the Ronnie Burkett Theatre of Marionettes. Okay. So, I was seeing a puppet show. This was unexpected.<\/p>\n<figure id=\"attachment_27613\" aria-describedby=\"caption-attachment-27613\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/12\/IMG_7287-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-27613\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/12\/IMG_7287-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/12\/IMG_7287-300x300.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/12\/IMG_7287-700x700.jpg 700w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/12\/IMG_7287-150x150.jpg 150w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/12\/IMG_7287-768x768.jpg 768w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/12\/IMG_7287-1536x1536.jpg 1536w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2025\/12\/IMG_7287-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-27613\" class=\"wp-caption-text\"><em>Little Dickens<\/em> is running at The Belfry now (photo provided).<\/figcaption><\/figure>\n<p>There&#8217;s always a particular kind of magic that happens whenever I walk into The Belfry. It\u2019s in my favourite neighbourhood, to start with, and the building itself is a converted 19th-century church, the same era as when <em>A Christmas Carol<\/em> was written. The building was constructed between 1887 and 1892, and was used as the Emmanuel Baptist Church until 1974, when it began to be used as a theatre. Just like the play, it has been adapted and given new life many a time over.<\/p>\n<p>Burkett is no stranger to magic. When he walks onstage\u2014or, rather, above it\u2014he is crouched behind a dizzying constellation of strings, voices, characters, transforming the beloved holiday tale into something that is bawdy, unhinged, R-rated, and totally unpredictable. At the same time, there are equal bits during the performance that are unexpectedly heartfelt, and this is all part of Burkett\u2019s genius, this chaotic puppet theology. Somehow through all this theatrical mayhem, the show still remains undeniably funny and charming.<\/p>\n<p>The plot revolves around Esm\u00e9 Massengill, Burkett\u2019s version of Ebenezer Scrooge, a jaded and faded woe-is-me diva who spends her time crying into her martini rather then knowing the true meaning of Christmas, or how her selfish actions might affect the world around her. Esm\u00e9 is visited by the three spirits of Christmas, and the audience is taken on the wild journey of Esm\u00e9\u2019s past, and present, and the dark realities of the future, if she doesn\u2019t change her ways. This is all brilliantly woven into Burkett\u2019s puppeteering prowess, and watching him work through the puppets, it\u2019s nothing short of improvisational genius. Audience participation (which is, apparently, an unavoidable feature of any Burkett performance) sparked some of the funniest moments of the evening. Burkett&#8217;s ability to tailor jokes to the crowd in real time is astonishing. He pivots around from wicked to sweet, from political jab to heartfelt anecdote, with the agility of someone who seems to be as much of an acrobat as he is a playwright.<\/p>\n<p>In the end, <em>Little Dickens<\/em> is a holiday show for anyone who can appreciate finding comfort in the glitter-smudged, messy edges of the season. It\u2019s for those who appreciate a good joke, a well- timed gasp, and that rare theatre experience where the performer puts everything\u2014voice, body, and, of course, heart\u2014into their characters. Charming, chaotic, and unapologetically joyful, Burkett&#8217;s <em>Little Dickens<\/em> is a seasonal indulgence worth savouring.<\/p>\n<p><em>Little Dickens<\/em><br \/>\nVarious times and days, until Sunday, December 21<br \/>\nPay what you can, The Belfry Theatre<br \/>\n<a href=\"https:\/\/www.belfry.bc.ca\" target=\"_blank\" rel=\"noopener\">belfry.bc.ca<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I had no idea what I was in for when I set out to review The Belfry\u2019s newest show. I knew that Little Dickens\u2014which runs until December 21\u2014was a loose adaptation of Charles Dickens&#8217; beloved classic A Christmas Carol; however, I had no idea what was meant by adaptation, or loose, for that matter. After [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":27613,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,9],"tags":[],"class_list":["post-27612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-webexclusive"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/27612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=27612"}],"version-history":[{"count":3,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/27612\/revisions"}],"predecessor-version":[{"id":27617,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/27612\/revisions\/27617"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/27613"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=27612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=27612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=27612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}