{"id":28064,"date":"2026-03-27T09:00:26","date_gmt":"2026-03-27T16:00:26","guid":{"rendered":"https:\/\/www.nexusnewspaper.com\/newsite\/?p=28064"},"modified":"2026-03-30T11:19:54","modified_gmt":"2026-03-30T18:19:54","slug":"new-music-revue-neurosis-return-with-triumphant-new-album","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2026\/03\/27\/new-music-revue-neurosis-return-with-triumphant-new-album\/","title":{"rendered":"<em>New Music Revue<\/em>: Neurosis return with triumphant new album"},"content":{"rendered":"<p><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2026\/03\/Neurosis1773687223245730.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-28065\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2026\/03\/Neurosis1773687223245730-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2026\/03\/Neurosis1773687223245730-300x300.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2026\/03\/Neurosis1773687223245730-700x700.jpg 700w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2026\/03\/Neurosis1773687223245730-150x150.jpg 150w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2026\/03\/Neurosis1773687223245730-768x768.jpg 768w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2026\/03\/Neurosis1773687223245730.jpg 1500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Neurosis<br \/>\n<i>An Undying Love for a Burning World<br \/>\n<\/i><i><\/i>(Neurot Recordings)<br \/>\n4.5\/5<\/p>\n<p>When I was a teenager\u2014over 20 years ago\u2014a friend gave me a burned copy of Oakland-based post-metal band Neurosis\u2019 third album, <i>Souls at Zero<\/i>, released in 1992. It was love at first listen. It was just what my teenage anger and angst had been craving.<\/p>\n<p>It\u2019s now been a decade since the release of their last album, <i>Fires Within Fires<\/i>, and on March 20, they sent <i>An Undying Love for a Burning World<\/i> into the world with absolutely no fanfare; since I\u2019ve not grown any less angry or angsty, I\u2019m thrilled.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>They were down a guitarist\/vocalist after firing Scott Kelly after he admitted to abuse toward his wife and family (good riddance), so they did the only thing that makes any sense: they hired Aaron Turner. I love his other bands (Sumac, the very Neurosis-influenced Isis), and this seemed to be the perfect fit. And is it ever.<\/p>\n<p>The album starts strong with \u201cWe Are Torn Wide Open,\u201d which sounds like aliens from a hellish planet coming to blow up Earth, and I\u2019m here for it. They then fall into a bludgeoning, harsh succession of rage and beauty and terror that feels like your bones are being crushed under an uncaring global system, and you\u2019ve just heard the call to fight back. It\u2019s great and makes me want to join the Weather Underground.<\/p>\n<p>By the time you reach the midway point of the album, \u201cSeething and Scattered,\u201d the aliens from hell are back, and you\u2019re on their side, plotting against this brutal planet we call home.<\/p>\n<p>The last track on the album, \u201cLast Light\u201d\u2014which clocks in at almost 17 minutes\u2014is a gritty, beautiful, lament for a world in flames; however, their use of major chords and climbing progressions reminds us that there\u2019s still hope, even as the last light is waning.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Neurosis An Undying Love for a Burning World (Neurot Recordings) 4.5\/5 When I was a teenager\u2014over 20 years ago\u2014a friend gave me a burned copy of Oakland-based post-metal band Neurosis\u2019 third album, Souls at Zero, released in 1992. It was love at first listen. It was just what my teenage anger and angst had been [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":28065,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,9],"tags":[],"class_list":["post-28064","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-webexclusive"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/28064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=28064"}],"version-history":[{"count":1,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/28064\/revisions"}],"predecessor-version":[{"id":28066,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/28064\/revisions\/28066"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/28065"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=28064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=28064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=28064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}