{"id":2937,"date":"2012-03-30T09:52:33","date_gmt":"2012-03-30T16:52:33","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=2937"},"modified":"2012-04-02T10:47:20","modified_gmt":"2012-04-02T17:47:20","slug":"brian-jackson-%e2%80%9ca-conductor-is-really-like-a-glorified-traffic-cop-%e2%80%9d","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2012\/03\/30\/brian-jackson-%e2%80%9ca-conductor-is-really-like-a-glorified-traffic-cop-%e2%80%9d\/","title":{"rendered":"Brian Jackson: \u201cA conductor is really like a glorified traffic cop.\u201d"},"content":{"rendered":"<p>Brian Jackson has been conducting orchestras for over half a century. The British-Canadian conductor, organist, and pianist has conducted since he was a teenager in the 1950s. And when the Canadian College of Performing Arts teams up with the Victoria Symphony for their upcoming Broadway Spectacular, it will celebrate Jackson&#8217;s retirement.<\/p>\n<p>Born in Cornwall\u2014the southwestern-most point in England\u2014in 1943, Jackson arrived to a family devoid of musicians.<\/p>\n<p>\u201cSince there was no one musical in the family they didn\u2019t know what they were dealing with,\u201d he says with a laugh. \u201cGrowing up in Cornwall was pretty isolated. I suppose in Canada it would be like being born in Newfoundland.\u201d<\/p>\n<p>Jackson was performing as a concert pianist by the age of six. By 12 he was performing as an organist, and in his teens he began conducting. This talent earned him a scholarship for Oxford in the 1960s, where he completed a master\u2019s degree in music in 1968 while working as a producer at the BBC. At a young age, Jackson had already accomplished so much, something he feels he took for granted.<\/p>\n<figure id=\"attachment_2938\" aria-describedby=\"caption-attachment-2938\" style=\"width: 199px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/03\/Brian-Jackson-baton_bw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2938\" title=\"\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/03\/Brian-Jackson-baton_bw-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/03\/Brian-Jackson-baton_bw-199x300.jpg 199w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/03\/Brian-Jackson-baton_bw-300x450.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/03\/Brian-Jackson-baton_bw-180x270.jpg 180w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/03\/Brian-Jackson-baton_bw.jpg 466w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/a><figcaption id=\"caption-attachment-2938\" class=\"wp-caption-text\">Brian Jackson has been conducting for over 50 years (photo provided).<\/figcaption><\/figure>\n<p>\u201cI think I went to university too young,\u201d he says. \u201cI\u2019d won the scholarship when I was 16, and at 17 I was there. I was very lucky. It was an incredible experience but I was too young to appreciate it.\u201d<\/p>\n<p>Since then, Jackson has conducted across North America and Europe. And during his extensive career, he&#8217;s come up with a unique perspective on his job.<\/p>\n<p>\u201cA conductor is really like a glorified traffic cop,\u201d he says. \u201cYou really only need to look at a junction. It\u2019s what I call traffic flow, controlling the traffic. It\u2019s all done at rehearsal, really, and at the performance I think you just let them go and play.\u201d<\/p>\n<p>Dealing with the personalities of a big orchestra can be something of a challenge, depending on the style of approach a conductor chooses to take. Jackson says it can be very easy for conductors to become megalomaniacs.<\/p>\n<p>\u201cThere are two ways of leading an orchestra: the first is with a stick, which you hit them over the heads with,\u201d he says. \u201cI tend to lead with a carrot, so you are educating\u2014you bring it out of the person, you don\u2019t beat it out of them.\u201d<\/p>\n<p>Jackson believes that the conductor is like a referee for the composer, advocating on their behalf to make sure that the music is heard the way the composer originally intended.<\/p>\n<p>\u201cSomeone has to be in charge,\u201d he says. \u201cIf you let everyone have a say in a 100-piece orchestra, you have total anarchy. But that doesn\u2019t mean that the conductor has to be a dictator.\u201d<\/p>\n<p>Despite the challenges of conducting, Jackson has an obvious love for the career he has dedicated the better part of a century towards.<\/p>\n<p>\u201cNothing will ever beat live performance,\u201d says Jackson. \u201cIt\u2019s more than just an aural experience, it\u2019s a visual thing, it\u2019s a collective energy level that comes off the stage and hits an audience.\u201d<\/p>\n<p>Broadway Spectacular<br \/>\n8 pm Friday, March 30,\u00a08 pm Saturday, March 31,\u00a02 pm Sunday, April 1<br \/>\nRoyal Theatre, $33<br \/>\n<a href=\"http:\/\/www.victoriasymphony.ca\" target=\"_blank\">victoriasymphony.ca<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Brian Jackson has been conducting orchestras for over half a century. The British-Canadian conductor, organist, and pianist has conducted since he was a teenager in the 1950s. And when the Canadian College of Performing Arts teams up with the Victoria Symphony for their upcoming Broadway Spectacular, it will celebrate Jackson&#8217;s retirement. Born in Cornwall\u2014the southwestern-most [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2938,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,9],"tags":[],"class_list":["post-2937","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-webexclusive"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/2937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=2937"}],"version-history":[{"count":9,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/2937\/revisions"}],"predecessor-version":[{"id":2943,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/2937\/revisions\/2943"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/2938"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=2937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=2937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=2937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}