{"id":3003,"date":"2012-04-04T08:39:10","date_gmt":"2012-04-04T15:39:10","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=3003"},"modified":"2012-04-05T09:38:34","modified_gmt":"2012-04-05T16:38:34","slug":"new-music-revue-april-4-2012-issue","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2012\/04\/04\/new-music-revue-april-4-2012-issue\/","title":{"rendered":"<i>New Music Revue<\/i>: April 4, 2012 issue"},"content":{"rendered":"<p><strong>Hey Mother Death<\/strong><\/p>\n<p><em>Hey Mother Death<\/em><\/p>\n<p>(Divorce Records)<\/p>\n<p>2.5\/5<\/p>\n<p><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/2877089196-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3004\" title=\"2877089196-1\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/2877089196-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/2877089196-1-300x300.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/2877089196-1-150x150.jpg 150w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/2877089196-1-70x70.jpg 70w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/2877089196-1-110x110.jpg 110w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/2877089196-1-200x200.jpg 200w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/2877089196-1-180x179.jpg 180w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/2877089196-1.jpg 350w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>The first release by Halifax\/Paris-based duo Hey Mother Death is a dark, atmospheric soundscape. But Hey Mother Death are largely inaccessible and far too on-the-fringe for most listeners.<\/p>\n<p>The EP begins with the compelling and moody instrumental \u201cYou Left Me<em>.<\/em>\u201d Dark, eerie synths, a slow, resonant, almost reggae bass line, and spidery guitar arrangements make this track a masterpiece of ambient music.<\/p>\n<p>The second track is an unfortunate shift into more sprawling, sparse, and ultimately more pretentious territory. \u201cBlack Monday\u201d is a bloated, boring piece that has none of the charm of the previous track. The experimental guitars are completely abandoned, as is all sense of melody. Smatterings of French spoken word are peppered throughout, which instead of adding to the atmosphere give the impression that this song is nothing more than entry-level, art-school garbage.<\/p>\n<p>-James Down<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Miike Snow<\/strong><\/p>\n<p><em>Happy to You<\/em><\/p>\n<p>(Universal Music)<\/p>\n<p>4.5\/5<\/p>\n<p><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/MIIKE-SNOW1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3005\" title=\"MIIKE-SNOW1\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/MIIKE-SNOW1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/MIIKE-SNOW1-300x300.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/MIIKE-SNOW1-150x150.jpg 150w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/MIIKE-SNOW1-70x70.jpg 70w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/MIIKE-SNOW1-110x110.jpg 110w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/MIIKE-SNOW1-200x200.jpg 200w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/MIIKE-SNOW1-180x180.jpg 180w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/MIIKE-SNOW1.jpg 620w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Swedish indie pop trio Miike Snow\u2019s latest album, <em>Happy to You<\/em>, makes me want to run barefoot through a misty, overgrown garden with friends, laughing and eating candies. It\u2019s cinematic. It\u2019s happy-go-lucky danceable. And it just sounds good.<\/p>\n<p><em>Happy to You<\/em> is full of synths, piano, marching band-style percussion, and effect-laden vocals. The beat carries most songs. Heavy piano, bass drum, and bass balance well with delicate snare, vocals, and synth lines.<\/p>\n<p>Highlights include \u201cBavarian #1 (Say You Will),\u201d which builds from charming whistles and snare drum to a lush, layered conclusion, and album opener \u201cEnter the Joker\u2019s Lair,\u201d an upbeat, fairy-tale-esque tune with an almost Caribbean sound.<\/p>\n<p>The antidote to grey skies and long study nights is here: <em>Happy to You<\/em> is the perfect album with which to welcome spring.<\/p>\n<p>-Rose Jang<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Simone Felice<\/strong><\/p>\n<p><em>Simone Felice<\/em><\/p>\n<p>(Dine Alone Records)<\/p>\n<p>4\/5<\/p>\n<p><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/simonefelice-cover-500px.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3006\" title=\"simonefelice-cover-500px\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/simonefelice-cover-500px-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/simonefelice-cover-500px-300x300.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/simonefelice-cover-500px-150x150.jpg 150w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/simonefelice-cover-500px-70x70.jpg 70w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/simonefelice-cover-500px-110x110.jpg 110w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/simonefelice-cover-500px-200x200.jpg 200w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/simonefelice-cover-500px-180x180.jpg 180w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/simonefelice-cover-500px.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Simone Felice is a dreamer, a lover. He\u2019s a musician from the Catskill Mountains of New York who escaped death twice (brain aneurysm as a child; emergency open-heart surgery as an adult) before creating this debut album.<\/p>\n<p>Because of this, Felice has a true understanding of the fragility of life; it shows in songs like \u201cNew York Times,\u201d where he expresses that he never wants to see anyone he loves as a headline for the biggest newspaper in the world. Really, the theme of life in the spotlight is all over the album: Felice\u2019s ability to empathize with a rock star is highlighted in \u201cCourtney Love,\u201d while he laments a slain movie star in \u201cSharon Tate.\u201d<\/p>\n<p>At the heart of Felice\u2019s music is a perverse honesty in the lyrics and a haunting beauty, which resonates throughout this album.<\/p>\n<p>Felice has shown death the door twice with his love of life. Now he\u2019s sharing his love of life with the world with this album.<\/p>\n<p>-Dan Darling<\/p>\n<p>&nbsp;<\/p>\n<p><strong>West My Friend<\/strong><\/p>\n<p><em>Place<\/em><\/p>\n<p>(Grammar Fight Records)<\/p>\n<p>4\/5<\/p>\n<p><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/WMF_cover_rgb_Med.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3007\" title=\"WMF_cover_rgb_Med\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/WMF_cover_rgb_Med-300x269.jpg\" alt=\"\" width=\"300\" height=\"269\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/WMF_cover_rgb_Med-300x269.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/WMF_cover_rgb_Med-180x161.jpg 180w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/WMF_cover_rgb_Med.jpg 700w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Not every band can use the word \u201cethnobotanist\u201d in a song. Victoria indie folk band West My Friend can.<\/p>\n<p>Their debut album, <em>Place<\/em>, is a joyous, charming addition to the Canadian indie folk scene. It will warm your heart and get your toes tapping. The songs, played primarily on mandolin, accordion, guitar, and bass, are 13 rays of sunshine. West My Friend\u2019s earthy sound is catchy and it\u2019s undeniably west coast.<\/p>\n<p><em>Place<\/em> is carried by lead singer Eden Oliver\u2019s crystal-clear voice. Oliver is also the band\u2019s main songwriter; crafting a melody seems to come as naturally to her as breathing. Her vocal lines often vault all over the place, engaging the listener and complementing the instruments gracefully.<\/p>\n<p>Put <em>Place<\/em> on over the speakers, grab a dance partner, and get ready to smile.<\/p>\n<p>-Rose Jang<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Trampled by Turtles<\/strong><\/p>\n<p><em>Stars and Satellites<\/em><\/p>\n<p>(Six Shooter Records)<\/p>\n<p>4\/5<\/p>\n<p><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/music_phases53.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3008\" title=\"music_phases53\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/music_phases53-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/music_phases53-300x300.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/music_phases53-150x150.jpg 150w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/music_phases53-70x70.jpg 70w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/music_phases53-110x110.jpg 110w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/music_phases53-200x200.jpg 200w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/music_phases53-180x180.jpg 180w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/04\/music_phases53.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>The concept of being trampled by turtles is far from ideal. But if the experience is anything like the pleasure of listening to Trampled by Turtles\u2019 newest album, <em>Stars and Satellites<\/em>, I suppose I would have to give it a shot. (At worst, it would make for a good story to tell later.)<\/p>\n<p>This group of five rockers-gone-folk from Duluth, Minnesota have developed an exciting, folksy, bluegrassy sort of ride that you\u2019ll want to go on over and over with<em> Stars and Satellites.<\/em><\/p>\n<p>The band\u2019s use of acoustic instruments forms a very down-to-earth sound, while the poetic lyrics deliver an ethereal element to the proceedings. Together these two components create a tranquil escape from the rush of final exams.<\/p>\n<p><em>Stars and Satellites<\/em> is the perfect album to pick up as we plunge face-first into spring, and Trampled by Turtles would make most excellent mates for a day by the lake.<\/p>\n<p>-Lucas Milroy<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hey Mother Death Hey Mother Death (Divorce Records) 2.5\/5 The first release by Halifax\/Paris-based duo Hey Mother Death is a dark, atmospheric soundscape. But Hey Mother Death are largely inaccessible and far too on-the-fringe for most listeners. The EP begins with the compelling and moody instrumental \u201cYou Left Me.\u201d Dark, eerie synths, a slow, resonant, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":3007,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,72],"tags":[],"class_list":["post-3003","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-april-4-2012"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/3003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=3003"}],"version-history":[{"count":5,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/3003\/revisions"}],"predecessor-version":[{"id":3058,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/3003\/revisions\/3058"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/3007"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=3003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=3003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=3003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}