{"id":4504,"date":"2012-10-25T08:31:33","date_gmt":"2012-10-25T15:31:33","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=4504"},"modified":"2012-10-26T12:13:09","modified_gmt":"2012-10-26T19:13:09","slug":"horror-show-goes-lovecraftian","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2012\/10\/25\/horror-show-goes-lovecraftian\/","title":{"rendered":"Horror show goes Lovecraftian"},"content":{"rendered":"<p>Our minds have the innate ability to trick us into believing that something is lurking in the shadows or waiting under our bed. It causes our hearts to race and our imaginations to take us for a ride. That is where the grandfather of horror, H.P. Lovecraft, takes us: to the edge of reason and into the depths of the unknown. And Paper Street Theatre\u2019s <em>The Horror Within,<\/em> an improvised night of H.P. Lovecraft, promises to be an evening of chilling stories that play on the fears we hold inside.<\/p>\n<p>\u201cThe show is called <em>The Horror Within<\/em> for two reasons,\u201d says Paper Street director Dave Morris. \u201cOne is the horror and the madness within yourself, and then the true horror is the horror we invent in our heads. He gives you just enough of an idea to know that there\u2019s a monster, and then you imagine it and whatever you imagine in your head is much more frightening than he could tell you. Let the audience tell the story, let the audience imagine the monster, and they\u2019ll all imagine what frightens them the most.\u201d<\/p>\n<figure id=\"attachment_4510\" aria-describedby=\"caption-attachment-4510\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/10\/photo-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-4510\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/10\/photo-2-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/10\/photo-2-300x199.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/10\/photo-2-180x119.jpg 180w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/10\/photo-2.jpg 700w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-4510\" class=\"wp-caption-text\">Feel the fear, Lovecraft style (photo provided).<\/figcaption><\/figure>\n<p>The audience will have a chance to add to the anxiety by suggesting titles or locations for the stories to take place; the idea is to turn everyday things into something frightening.<\/p>\n<p>\u201cThe style and the mood and the feel are Lovecraft, but the stories are from us and the audience. So we will get a few suggestions at the beginning of the show and each improviser will tell a story based on that suggestion,\u201d says Morris, an improviser who has had his work staged at the Victoria Uno and Fringe festivals. \u201cIt will be a new story as if Lovecraft had written it; we never claim it will sound like a Lovecraft story, but it will feel like a Lovecraft story.\u201d<\/p>\n<p>The feel of a Lovecraft story is to play on what he calls our most basic human emotion: fear. Stories are set up with hair-raising, underlying tension; by hardly ever describing what the monster looks like, he leaves everything up to personal interpretation and the complexities of the human imagination. Another theme in Lovecraft stories is the old adage of \u201ccuriosity killed the cat.\u201d<\/p>\n<p>\u201cThe things that make his work timeless are those things: the fear of the unknown and the fear of madness or evil being inside of you, and the fatal curiosity of mankind,\u201d says Paper Street cast member Missie Peters.<\/p>\n<p>\u201cFor instance, we\u2019ll try and clone a human just to see if we can do it. Maybe we shouldn\u2019t be doing it, but we want to do it, so we\u2019ll do it,\u201d adds Morris.<\/p>\n<p>For anyone who isn\u2019t an adept Lovecraft reader, fear not: the show is sure to be a spooky night for all.<\/p>\n<p>\u201cThe show is great for people who like Lovecraft and great for people who like improv,\u201d notes Morris, \u201cbut it\u2019s also great for people looking for a Halloween experience.\u201d<\/p>\n<p>And Lovecraft does make a great Halloween experience. His obsession with madness came from his strange upbringing. His father died in an insane asylum when Lovecraft was only eight; his mother died in the same institution years later. He was very reclusive and all he did was write; however, only three of his works were published during his lifetime. It was only after he died that other writers who he had corresponded with decided to put together a volume of his work.<\/p>\n<p>\u201cHe was very agoraphobic, afraid of everything, so fear and madness are two very strong themes of his work,\u201d says Morris. \u201cThe most famous quote of his is about how fear is the most basic human emotion and the most basic fear is fear of the unknown. That underlines all of his work&#8230; All of his monsters, his creatures are all indescribable. You can\u2019t name them; you can\u2019t explain what they are.\u201d<\/p>\n<p align=\"left\">The Horror Within<br \/>\n8 pm October 26 and 27, $12<br \/>\nIntrepid Theatre, 1609 Blanshard<br \/>\n<em>paperstreettheatre.com<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Our minds have the innate ability to trick us into believing that something is lurking in the shadows or waiting under our bed. It causes our hearts to race and our imaginations to take us for a ride. That is where the grandfather of horror, H.P. Lovecraft, takes us: to the edge of reason and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4510,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,11,82],"tags":[],"class_list":["post-4504","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-issue","category-october-17-2012"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/4504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=4504"}],"version-history":[{"count":9,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/4504\/revisions"}],"predecessor-version":[{"id":4511,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/4504\/revisions\/4511"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/4510"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=4504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=4504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=4504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}