{"id":5218,"date":"2012-11-29T13:54:05","date_gmt":"2012-11-29T21:54:05","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=5218"},"modified":"2012-12-01T20:36:02","modified_gmt":"2012-12-02T04:36:02","slug":"review-1-9-8-4-stirs-emotions-with-its-lack-of-emotions","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2012\/11\/29\/review-1-9-8-4-stirs-emotions-with-its-lack-of-emotions\/","title":{"rendered":"Review: <em>1.9.8.4.<\/em> stirs emotions with its lack of emotions"},"content":{"rendered":"<p>If you want to see a dystopian love story that manages to throb, numb, and bleed your heart out, <em>1.9.8.4.<\/em>\u2014Giggling Iguana\u2019s production of the George Orwell classic <em>1984<\/em>\u2014will be right up your alley.<\/p>\n<p><em>1.9.8.4.<\/em> takes place in a seemingly totalitarian society (Victory City, a take on modern-day Victoria) run by the mysterious and illusive Big Brother and his mind-numbed robotic followers, who thrive off \u201cembracing the hate\u201d and controlling people by ridding them of emotions.<\/p>\n<p>In a society of strict stature there are usually a few recluse rebels who have different beliefs\u2014or, in this case, just want to have the right to have their own beliefs.<\/p>\n<figure id=\"attachment_5219\" aria-describedby=\"caption-attachment-5219\" style=\"width: 384px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/11\/Julia-with-Chorus-and-OBrien-1984-Nov-20121.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5219 \" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/11\/Julia-with-Chorus-and-OBrien-1984-Nov-20121.jpg\" alt=\"\" width=\"384\" height=\"398\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/11\/Julia-with-Chorus-and-OBrien-1984-Nov-20121.jpg 640w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/11\/Julia-with-Chorus-and-OBrien-1984-Nov-20121-289x300.jpg 289w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/11\/Julia-with-Chorus-and-OBrien-1984-Nov-20121-300x311.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2012\/11\/Julia-with-Chorus-and-OBrien-1984-Nov-20121-180x186.jpg 180w\" sizes=\"auto, (max-width: 384px) 100vw, 384px\" \/><\/a><figcaption id=\"caption-attachment-5219\" class=\"wp-caption-text\">1.9.8.4. takes a look at a familiar dystopian tale (photo provided).<\/figcaption><\/figure>\n<p>The story is set around star-crossed lovers, who, in a society where they are repressed from loving and must fully embrace the hate, find themselves in a torturous situation where their inner morality is put to the test.<\/p>\n<p>Eric Holmgren, Ariel Slack, Christine Karpiak, Randi Edmundson, and Tito Martin-Nemtin play their roles passionately and timely, and keep the audience engaged as they tell this story in a quirky, artistic, and harrowing way.<\/p>\n<p>Holmgren and Slack had me feeling for their characters\u2019 love, torture, and inner rebellion. Karpiak plays a fierce, fearful, and unforgiving authoritarian. Edmundson and Martin-Nemtin\u2019s Greek chorus of conjoining dialogue places the story together perfectly.<\/p>\n<p>Learning Orwell\u2019s science-fiction-esque dialect was a bit tough, but it does add to the appeal of the story and its satirical nature.<\/p>\n<p>Roger Carr and the rest of the crew took full advantage of the cast, creating an action-packed rendition of a gigantically complex classic.<\/p>\n<p><em>1.9.8.4<br \/>\n<\/em>Until Dec 2<br \/>\nIntrepid Theatre<br \/>\n<a href=\"http:\/\/www.intrepidtheatre.com\" target=\"_blank\"> intrepidtheatre.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you want to see a dystopian love story that manages to throb, numb, and bleed your heart out, 1.9.8.4.\u2014Giggling Iguana\u2019s production of the George Orwell classic 1984\u2014will be right up your alley. 1.9.8.4. takes place in a seemingly totalitarian society (Victory City, a take on modern-day Victoria) run by the mysterious and illusive Big [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5219,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,9],"tags":[],"class_list":["post-5218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-webexclusive"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/5218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=5218"}],"version-history":[{"count":7,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/5218\/revisions"}],"predecessor-version":[{"id":5221,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/5218\/revisions\/5221"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/5219"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=5218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=5218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=5218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}