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<\/a>As the show\u2019s director, it was important to Morris that he accurately captured that distinct Tarantino feel: the combination of ultra-real violence and intentionally clever dialogue that\u2019s made him one of our generation\u2019s most acclaimed filmmakers. Cast member Missie Peters says the strength of the source material made the cast strive even harder to get it right.<\/p>\n
\u201cA lot of people think of highly choreographed violence when they think Tarantino, but I\u2019m really drawn to his writing,\u201d says Peters. \u201cHis ability to capture the rhythm of how these tough guys speak is just brilliant. His choice of words is very specific: his characters don\u2019t say, \u2018I gotta take a leak,\u2019 they say, \u2018I need to use the commode.\u2019 They are very articulate and precise and it\u2019s a really fun challenge to try to improvise this style of dialogue.\u201d<\/p>\n
The nine-person cast, which also includes Fringe Festival favourite Christina Patterson and local sketch comedy vets Chris Gabel and Byron Kjeldsen, has been busy watching Tarantino clips together and having a lot of fun recreating them, like the diner scene from Pulp Fiction<\/i> or the warehouse torture scene from Reservoir Dogs.<\/i> Oh, and let\u2019s not forget the time they\u2019ve spent trying to decide which of the Tarantino films they like the best.<\/p>\n
\u201cWe\u2019ve had an ongoing debate within the cast over whether we prefer Reservoir Dogs<\/i> or Pulp Fiction.<\/i> They\u2019re both such great films in slightly different ways,\u201d says Morris. \u201cPersonally, I tend to lean a little more towards Pulp Fiction<\/i>, just for the beautiful dialogue and choreographed scenes.\u201d<\/p>\n