{"id":7436,"date":"2013-08-14T09:00:07","date_gmt":"2013-08-14T16:00:07","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=7436"},"modified":"2013-08-13T12:34:46","modified_gmt":"2013-08-13T19:34:46","slug":"review-new-emily-carr-book-collects-best-pieces-in-one-compact-digest","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2013\/08\/14\/review-new-emily-carr-book-collects-best-pieces-in-one-compact-digest\/","title":{"rendered":"Review: New Emily Carr book collects best pieces in one compact digest"},"content":{"rendered":"<p>I\u2019m not the sharpest tool in the shed, nor do I claim to be. So I\u2019m going to get this out in the open right now and say I\u2019m just not much of an art guy.<\/p>\n<p>I try, and I appreciate what people do; I can barely draw a stick figure. I drew a princess for my daughter the other day, at her request, and she said it looked \u201cweird.\u201d So when people make things that look good, I\u2019m impressed. I don\u2019t understand the whole \u201cpainting fruit in a bowl\u201d rubbish, though.<\/p>\n<p>Anyway, I grew up around these parts, so I\u2019ve long been frustrated with Emily Carr. Why? Because I just never really got her paintings. <i>Emily Carr Collected<\/i> (Douglas &amp; McIntyre, $19.95) helps me ease a bit of that frustration.<\/p>\n<p>Collecting a bunch of the artist\u2019s best work in a small, easy-to-deal-with format, printed on paper that allows the colours to both pop and maintain their subtlety when needed, the book may not be essential for Carr followers who have most of this stuff in their collection already, but it\u2019s a great introduction.<\/p>\n<p><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2013\/08\/Emily-Carr-front-cover-hires-Apr-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-7437 alignleft\" alt=\"Emily Carr front cover hires Apr 3\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2013\/08\/Emily-Carr-front-cover-hires-Apr-3.jpg\" width=\"130\" height=\"151\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2013\/08\/Emily-Carr-front-cover-hires-Apr-3.jpg 602w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2013\/08\/Emily-Carr-front-cover-hires-Apr-3-258x300.jpg 258w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2013\/08\/Emily-Carr-front-cover-hires-Apr-3-300x348.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2013\/08\/Emily-Carr-front-cover-hires-Apr-3-180x209.jpg 180w\" sizes=\"auto, (max-width: 130px) 100vw, 130px\" \/><\/a><\/p>\n<p>Some of it still doesn\u2019t grab me, but when it does, it\u2019s striking: the depth of the colours, the passion of the imagery, the west coast tone.<\/p>\n<p>The book features an introduction by Ian Thom, who has held senior curatorial positions at the Art Gallery of Greater Victoria and the McMichael Canadian Art Collection. In the intro, Thom talks about Carr\u2019s art and her life, starting off with the anecdote of Carr referring to herself as a \u201clone old tree\u201d in 1933. As this book proves, sometimes those who feel most alone create some of the most timeless art.<\/p>\n<p>The intro also helps paint some context into all the works found in the book, which is very helpful for newcomers like myself. It also gives a glimpse into Carr\u2019s mindset and what was happening in her life at the time of various works.<\/p>\n<p>Like I say, I\u2019m not the smartest guy in the world when it comes to art (although I\u2019m smart enough to know that paintings of fruit in bowls are silly), but this book just helped ease me a bit further into a rich and rewarding world.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I\u2019m not the sharpest tool in the shed, nor do I claim to be. So I\u2019m going to get this out in the open right now and say I\u2019m just not much of an art guy. I try, and I appreciate what people do; I can barely draw a stick figure. I drew a princess [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7437,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,108],"tags":[],"class_list":["post-7436","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-august-14-2013"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/7436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=7436"}],"version-history":[{"count":1,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/7436\/revisions"}],"predecessor-version":[{"id":7438,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/7436\/revisions\/7438"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/7437"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=7436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=7436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=7436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}