{"id":7866,"date":"2013-10-16T08:45:26","date_gmt":"2013-10-16T15:45:26","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=7866"},"modified":"2013-10-16T21:07:14","modified_gmt":"2013-10-17T04:07:14","slug":"exploring-the-many-tragedies-of-opera-with-pacific-opera-victorias-falstaff","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2013\/10\/16\/exploring-the-many-tragedies-of-opera-with-pacific-opera-victorias-falstaff\/","title":{"rendered":"Exploring the many tragedies of opera with Pacific Opera Victoria&#8217;s <em>Falstaff<\/em>"},"content":{"rendered":"<p>Suicides, poisoning, murders; deaths upon deaths narrated by the penetrating sound of the orchestra and performer. Welcome to the opera.<\/p>\n<p>But, it\u2019s not all bad news: there is a comedic side of opera that gets overlooked.<\/p>\n<p>Commonly known for his great tragedies, Giuseppe Verdi\u2019s last opera was <i>Falstaff.<\/i> Based on Shakespeare\u2019s <i>The Merry Wives of Windsor,<\/i> the opera follows the adventures of Sir John Falstaff, a pleasure and romance seeker.<\/p>\n<p>\u201cWith Verdi you can expect glorious music; it\u2019s opera at its highest level,\u201d says Glynis Leyshon, director of Pacific Opera Victoria\u2019s <i>Falstaff.<\/i> \u201cThe surprise with <i>Falstaff<\/i> is that Verdi\u2019s very last opera is a comedy; he turned to laughter instead of tragedy.\u201d<\/p>\n<figure id=\"attachment_7867\" aria-describedby=\"caption-attachment-7867\" style=\"width: 210px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2013\/10\/Leyshon-Glynis-med.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-7867 \" alt=\"\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2013\/10\/Leyshon-Glynis-med.jpg\" width=\"210\" height=\"252\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2013\/10\/Leyshon-Glynis-med.jpg 583w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2013\/10\/Leyshon-Glynis-med-249x300.jpg 249w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2013\/10\/Leyshon-Glynis-med-300x360.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2013\/10\/Leyshon-Glynis-med-180x216.jpg 180w\" sizes=\"auto, (max-width: 210px) 100vw, 210px\" \/><\/a><figcaption id=\"caption-attachment-7867\" class=\"wp-caption-text\"><em>Falstaff<\/em> director Glynis Leyshon (photo provided).<\/figcaption><\/figure>\n<p>As operas are often written in different languages, no small amount of time and effort has to be put in to translate and transpose the language into English. There is no space on stage for misunderstanding.<\/p>\n<p>\u201cI don\u2019t want to ask the performers to do something that is contrary to the text,\u201d says Leyshon, \u201cbecause that\u2019s where it can go astray.\u201d<\/p>\n<p>The language is not only a barrier for the director, but the audience can also be negatively affected by it. Foreign films are not usually as popular as English speaking films; the same mechanism works for operas.<\/p>\n<p>\u201cIt used to be that you would go and you could appreciate the singing, and the moving, and everything else, but you didn\u2019t really know what they were saying unless you were an Italian speaker,\u201d says Leyshon, adding that the appearance of surtitles screens helped opera become a more accessible form of art. \u201cNow, with the surtitles, you can actually be there and follow the story.\u201d<\/p>\n<p>It became more accessible in that sense, but it also became more expensive. And with the strained economy, some forms of entertainment stay within certain comfort zones and budgets.<\/p>\n<p>\u201cI think when you no longer can go to everything you would be interested in you tend to go to things that you are comfortable with, or familiar with,\u201d says Leyshon. However, she makes an important point for opera enthusiasts. \u201cIf you\u2019re interested in opera now, there\u2019s all the MET<del> [New York\u2019s Metropolitan Museum of Art]<\/del>\u00a0Metropolitan Opera broadcasts; I think that\u2019s is truly having an impact.\u201d<\/p>\n<p>The Metropolitan Opera is trying to make the opera experience available to different audiences, including those who can\u2019t afford to head down to see an opera in person. They broadcast opera and ballet pieces in theatres, with more affordable tickets. <del>It\u2019s a move which, if brought to Victoria, could increase the numbers of people eager to learn about opera<\/del>. However, the experience and emotion differs from a live performance.<\/p>\n<p>\u201cThe experience of live theatre or a live opera is just so much more dynamic,\u201d says Leyshon. \u201cIt\u2019s a different experience, rather than just a substitution for the live theatre experience.\u201d<\/p>\n<p><i>Falstaff<br \/>\n<\/i>October 17, 19, 23, and 25<br \/>\n$40-$135 ($15 with student ID 45 minutes before show, subject to availability)<br \/>\nRoyal Theatre<br \/>\n<a href=\"http:\/\/pov.bc.ca\" target=\"_blank\">pov.bc.ca<\/a><\/p>\n<p>[Correction: We had previously stated in this story that The Metropolitan Opera broadcasts have not come to Victoria; they have. We apologize for the mistake.]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Suicides, poisoning, murders; deaths upon deaths narrated by the penetrating sound of the orchestra and performer. Welcome to the opera. But, it\u2019s not all bad news: there is a comedic side of opera that gets overlooked. Commonly known for his great tragedies, Giuseppe Verdi\u2019s last opera was Falstaff. Based on Shakespeare\u2019s The Merry Wives of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7867,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,115],"tags":[],"class_list":["post-7866","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-october-16-2013"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/7866","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=7866"}],"version-history":[{"count":6,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/7866\/revisions"}],"predecessor-version":[{"id":7913,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/7866\/revisions\/7913"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/7867"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=7866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=7866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=7866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}