{"id":8628,"date":"2014-02-19T08:50:39","date_gmt":"2014-02-19T16:50:39","guid":{"rendered":"http:\/\/www.nexusnewspaper.com\/?p=8628"},"modified":"2014-02-17T13:13:07","modified_gmt":"2014-02-17T21:13:07","slug":"new-music-revue-february-19-2014-issue-no","status":"publish","type":"post","link":"https:\/\/www.nexusnewspaper.com\/newsite\/2014\/02\/19\/new-music-revue-february-19-2014-issue-no\/","title":{"rendered":"<em>New Music Revue<\/em>, February 19, 2014 issue (No)"},"content":{"rendered":"<p><a href=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2014\/02\/NO_el-prado-art-575x575.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-8629\" alt=\"\" src=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2014\/02\/NO_el-prado-art-575x575.jpg\" width=\"207\" height=\"207\" srcset=\"https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2014\/02\/NO_el-prado-art-575x575.jpg 575w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2014\/02\/NO_el-prado-art-575x575-150x150.jpg 150w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2014\/02\/NO_el-prado-art-575x575-300x300.jpg 300w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2014\/02\/NO_el-prado-art-575x575-70x70.jpg 70w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2014\/02\/NO_el-prado-art-575x575-110x110.jpg 110w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2014\/02\/NO_el-prado-art-575x575-200x200.jpg 200w, https:\/\/www.nexusnewspaper.com\/newsite\/wp-content\/uploads\/2014\/02\/NO_el-prado-art-575x575-180x180.jpg 180w\" sizes=\"auto, (max-width: 207px) 100vw, 207px\" \/><\/a><\/p>\n<p>No<br \/>\n<i>El Prado<br \/>\n<\/i>(Arts and Crafts Records)<br \/>\n2.5\/5<\/p>\n<p>LA-based indie sextet No\u2019s debut, El Prado, isn\u2019t an upbeat album, but by no means is it unbearably depressing. With El Prado, No delivers an album with vocal lines that are easy to nod along to, and they also contain some lyrical gems.<\/p>\n<p>The album\u2019s tone bleeds together well, but in some cases it\u2019s too seamless, making the listener hope for a change of pace.<\/p>\n<p>The musical nuances and touches the group use to accent El Prado all feel like something we\u2019ve already heard. It\u2019s not that this is a bad album, but it\u2019s also not a great work of art.<\/p>\n<p>Bradley Hanan Carter, the group\u2019s vocalist, wields a deep voice that\u2019s effective, but over time his singing gets tiring. Similar to the tone of the album overall, his vocals are all well contrived, but over the course of the disc become all too familiar.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>No El Prado (Arts and Crafts Records) 2.5\/5 LA-based indie sextet No\u2019s debut, El Prado, isn\u2019t an upbeat album, but by no means is it unbearably depressing. With El Prado, No delivers an album with vocal lines that are easy to nod along to, and they also contain some lyrical gems. The album\u2019s tone bleeds [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":8629,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,122],"tags":[],"class_list":["post-8628","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-february-19-2014"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/8628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/comments?post=8628"}],"version-history":[{"count":1,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/8628\/revisions"}],"predecessor-version":[{"id":8630,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/posts\/8628\/revisions\/8630"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media\/8629"}],"wp:attachment":[{"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/media?parent=8628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/categories?post=8628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nexusnewspaper.com\/newsite\/wp-json\/wp\/v2\/tags?post=8628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}